I’m back… with a review of The Counselor

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Have you ever watched a trailer for a movie with an ensemble cast and thought, “Oh… this’ll be a great movie”, even if you don’t know or understand the plot from said two minute snippet? That’s what I did when I saw the preview for The Counselor. On paper, what’s not to like? Michael Fassbender (X-Men: First Class, 12 Years a Slave), Javier Bardem (Skyfall, No Country for Old Men), Penelope Cruz, Cameron Diaz, Brad Pitt… the list of acting talent goes on and on. Rosie Perez and John Leguizamo even make brief appearances. It accounts for arguably the best cast in any movie this month. Throw in Ridley Scott (Alien, Blade Runner, Gladiator, American Gangster) as director and the expectation is set for what should be a great film… right?

Almost. Somewhere along the road, something was missed. And it took several minutes after the movie’s conclusion for me to pinpoint the problem. It isn’t the grim finale. There have been several movies with such an ending that are great films (The Korean film Oldboy comes to mind). It certainly isn’t the actors themselves. Fassbender is solid as the lead character, a lawyer who gets mixed up in drug trafficking to give his beloved wife the sweet life. Brad Pitt is his usual charismatic self as a Cowboy hat wearing, middle man. And perhaps the most captivating is Cameron Diaz, who is as sexy and sinister as I’ve ever seen her.

The problem is the story itself… which is an issue that would make any moviegoer scratch their head, because it’s perhaps the most important element of any film. No matter how many talented actors you jam into a movie, if there isn’t an interesting enough plot to drive the film, then it will almost always fall flat. I found myself unsure of the plot and direction of the film nearly forty-five minutes in.  That’s more than enough time to lose interest, especially in a film that trades action sequences for complex conversation.

There are some interesting anecdotes here and there, but several of the film’s themes seem a bit backwards and misguided. Many of the characters share “interesting” views on the opposite sex and I’m still not sure if the director was trying to make social commentary or create plot points with these and other exchanges. It all just seems to amount to a boring, un-relatable, lecture without a valid point. And no amount of casting can save that.

FINAL GRADE: C

   

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I’m back… with a review of The Counselor

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