Love, Simon (Full Review)

It doesn’t matter who you are. High school is a whirlwind of angst and drama. Finding your individuality and navigating the awkward landscape of social interaction is something every American can identify with. This is why a well written teen comedy with endearing characters can be some of the most compelling cinema, and it’s why Love, Simon is one of the best films of 2018 so far.

Love,_Simon_posterSimon (Nick Robinson) is a high school senior with loving, successful parents (Josh Duhamel and Jennifer Garner), a little sister who is an aspiring chef (Talitha Eliana Bateman), and a loyal circle of best friends (Katherine Langford, Alexandra Shipp, Jorge Lendeborg Jr.). He is also hiding his sexual orientation from all of them, afraid of how things might change if his peers know the truth. When an anonymous classmate posts on a blog that he too is gay and afraid to come out, Simon creates an alias and forms a romantic bond with the secret student via email. But after another, socially awkward, student (Logan Miller) stumbles upon his secret and threatens to blackmail him, Simon is forced to finally confront his frightening reality.

All great teen comedy/dramas have a main character that is charismatic and easy to route for. Love, Simon is no different. Nick Robinson’s emotionally earnest portrayal is absolutely magnetic. He brings quirky humor and tear jerking compassion that should make any person with an ounce of heart admire and gravitate toward his journey. The supporting players hold their weight as well. Each performance has depth that makes them feel real and not just characters in a story. Jennifer Garner and Jush Duhamel are specifically marvelous. The heartfelt scenes they share with their onscreen son after his inevitable coming out are nothing short of beautiful.

Love, Simon is the first major release that tackles such a pertinent subject matter and it explores its themes with sensational nuance. Robinson’s character does not exemplify many of the stereotypes associated with homosexuality which helps the film serve as education for viewers with misconceptions while also giving representation to an unfairly scrutinized community. It teaches us how to be tolerant and supportive of things we don’t identify with or understand. And even though it gets a little sappy, Love, Simon proves to be a transcendent love letter to everything that makes the genre emotionally captivating.

FINAL GRADE: A

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Pacific Rim: Uprising (Full Review)

Giant robots fighting giant monsters. Guillermo Del Toro’s Pacific Rim was nothing groundbreaking or thematically nuanced, but like Jurassic World or 2007’s Transformers it was an absolutely fun and exciting ride that felt ripped right out of a 90’s cartoon. The action was everything missing from the well rounded but lacking Power Rangers movie. With a new cast of characters and a new director at the helm, Pacific Rim: Uprising looks to recreate the same excitement as its predecessor.

Pacificrim2-posterUprising takes place 10 years after the original film, when pilots of giant robots called Jaegers fought to close an interdimensional gateway that led colossal monsters known as Kaiju into our world. Jake Pentacost (John Boyega), son of deceased Pacific Rim General Stacker Pentacost (Idris Elba) spends his days recovering old Jaeger parts and selling them to the highest bidder. His thieving lifestyle brings him into contact with a young, orphaned girl (Cailee Spainey) who has built her own tiny fighting robot. When rogue Jaegers threaten to reopen the Kaiju portal, Jake is forced to reunite with an old rival (Scott Eastwood) and lead a band of young recruits into war against this mysterious new threat.

In many ways, Pacific Rim: Uprising is what 2017’s disastrous Transformers: The Last Knight wanted to be, with a more concise narrative and more likable leads. John Boyega, of Star Wars fame, is the perfect centerpiece for this sequel. He delivers boyish charm and more comedic timing than anyone in the previous film. The intensity he brings in the climax makes him feel like a worthy successor to Idris Elba’s Stacker Pentacost despite the fact that the latter is only shown in photos. And even though her subplot with the other young recruits falls flat, Cailey Spainey is a welcomed addition thanks to a feisty performance and endearing sibling-like chemistry with Boyega.

The rest of the supporting characters are just as awkwardly generic, especially Scott Eastwood, but once the Jaeger’s mount up and the action takes center stage most of the blandness of the script washes away. There’s just something about the synchronized style of robot piloting that these films implement that feels imaginative and inherently cool. The reveal of the film’s villain, though awkward, is also a pleasantly surprising twist that keeps the plot from being too predictable.

Uprising is a tonal replica of the previous film for better and worse. If you found the characters cartoonish and the dialogue cliché on the first go round, then this film will be just as unsatisfying. But if you’re like me, and the high-stakes action of Pacific Rim had you on the edge of your seat, then this sequel will absolutely deliver more times than it doesn’t. In many ways, it actually ups the ante with more interesting characters and even more jaw dropping CGI sequences that boast new and interesting designs for both the Jaegers and their adversaries.

FINAL GRADE: B

Tomb Raider – 2018 (Full Review)

Let’s be honest. Video game movies are usually terrible. Not just bad… terrible. So terrible that even the best ones aren’t particularly memorable. Angelina Jolie’s 2001 and 2003 turn as beloved video game heroine Lara Croft didn’t do much to curb that notion. But in true Hollywood remake fashion, here we are again with another attempt at making Tomb Raider work for the big screen.

Tomb_Raider_(2018_film)This reboot reimagines Lara Croft (Alicia Vikander) as a rebellious delivery girl whose father (Dominic West) disappeared while searching for mystical relics that could prove the existence of an afterlife. When she finally decides to accept her father’s inheritance and take ownership of his multimillion dollar company, Lara stumbles upon clues to his whereabouts. With the help of a drunken ship captain (Daniel Wu), Lara ventures to a treacherous, uncharted island where she encounters a secret organization that is using slave labor to uncover an ancient tomb.

I can count on one hand how many video game movies are watchable, and if you can name more than that then you will absolutely enjoy this reboot of Tomb Raider. The movie starts out slow. There are hokey jokes that don’t land and plot elements that don’t make an ounce of sense, but the adventurous tone and action sequences are right on the money.  Alicia Vikander brings some true grit and earnest heart to the lead role that makes her feel like a much more believable character than Angelina Jolie’s more cartoonish take.

The action is intense and the stakes are felt thanks to Vikander’s performance. Every other character will come off as forgettable, although Walton Goggins makes for a relatively intimidating villain. Truthfully, a Tomb Raider movie need only have a captivating Lara Croft and, more importantly, an enthralling motivation, for her to work. Recreating Lara as a brave and tough young woman grinding her way through perils to reconnect with her long lost father is enough to make this reboot worthwhile even for the casual moviegoer. Just don’t be that poor soul expecting something emotionally groundbreaking or overtly intelligent from a video game movie.

FINAL GRADE: B

A Wrinkle in Time (Full Review)

A Wrinkle in Time, published in 1962 by author Madeleine L’Engle, is one of the most beloved children’s novels ever written.  Who better to adapt this sci-fi fantasy for the big screen than Disney? The studio has decades of successful films that have dazzled young and old audiences. Tabbing Ava DuVernay (Selma) to direct an impressive cast of well-known actors and fresh faces, this adaptation had the ingredients to be something exciting and fun.

AWrinkleInTimeTeaserNewcomer Storm Reid plays 13-year-old Meg Murry, a feisty middle school loner who lives with her scientist mother (Gugu Mbatha-Raw) and her genius kid brother Charles Wallace Murry (Deric McCabe). Her father (Chris Pine) has been missing for four years, disappearing after working on a device known as the tesseract that could theoretically transport people through time and space. One day, Charles Wallace introduces her to three strange witches (Oprah Winfrey, Mindy Kaling, and Reese Witherspoon), who recruit Meg and her smitten classmate Calvin (Levi Miller) on a mission to rescue her father from darkness that is spreading throughout the universe.

Let’s start with what this film does well. Visually, the movie is absolutely stunning and works beautifully with 3D technology. From the costumes to the environments, this adaptation brings L’Engle’s fictional worlds to life like no other. The movie also strikes the right cord for any wide-eyed youngster, especially young girls who can relate to Meg’s journey to find her identity and embrace her own individuality.

But it’s hard for adults watching the film to not feel bored. The story feels almost too simplistic, with events happening so quickly that the entirety of the film could be explained in a few brief sentences. The first planet visited in the film seems to only be there to look pretty and there are only two real perilous moments, making it hard to fully categorize the movie as an adventure.

Not helping matters is the lightweight performances and cheesy dialogue. Zach Galifianakis is the perfect brand of quirky in a brief appearance and Reese Witherspoon brings wit to her role as snarky Mrs. Whatsit. But Mindy Kaling leaves a lot to be desired as the constantly quoting Mrs. Who. She recites her lines so awkwardly bland that it leaves her character void of any charm. Storm Reid is admirable in the lead role, but her younger counterparts don’t seem ready for such large screentime. As for Oprah, she basically plays herself, while the dialogue from Mbatha-Raw and many of the teachers in the movie comes off as wooden and unrealistic.

If you are the parent to young girls, by all means bring them out to enjoy this film. Several bad movies I saw as a kid were some of my favorites, so younger viewers likely won’t be bothered by the film’s flaws. But if I were to recruit someone like Maya Angelou to write a children’s story, I’d expect some nuance to her tale that would make it enlightening for people of all ages. With such an impressive cast, and such an intelligent director, it just feels like this product is shallow and rushed.  Comparing it to book adaptations like The Lion, The Witch, and The Wardrobe, this version of A Wrinkle in Time may be nice and wholesome, but it skimps on intrigue and is relatively forgettable as a narrative.

FINAL GRADE: C

 

Red Sparrow (Full Review)

A Russian girl is sent to an underground military program that trains her to be a sexy, seductive spy. No, this isn’t an ‘R’ rated version of the Black Widow movie Marvel should’ve made a long time ago. It is an adaptation of a novel written by Jason Matthews with director Francis Lawrence (Hunger Games: Catching Fire) at the helm.

Red_SparrowJennifer Lawrence plays Dominika, a star ballerina who is forced to give up her life of dancing when she suffers a gruesome injury. In danger of losing health coverage for her ill mother (Joely Richardson), Dominika is coxed by her government head uncle (Matthias Schoenaerts) to enter the aforementioned spy program. As a sparrow, she is tasked with seducing an American CIA agent (Joel Edgerton) who is protecting the identity of a mole within the Russian government.

If you can get past her boorish Russian accent, Lawrence does a fair job. She holds her own in all of the brutal action sequences and certainly doesn’t skimp on the sexiness of the role. But Red Sparrow falls into some of the same listless doldrums that plagued 2016’s Atomic Blonde. The film, which carries on about a half hour too long, seems to take the scenic route in getting to its focal point and as such, it can easily make you lose interest.

The chemistry between Lawrence and Edgerton’s Nate Nash never feels genuine, which at times makes it hard to understand either character’s motivations in certain scenes. Throw in a needless subplot about extracting information from a U.S. chief of staff (Mary Louise-Parker), and the movie never quite satisfies as a spy thriller. It is certainly worth a watch if you’re into the genre, but years from now there won’t be much to remember this story by.

FINAL GRADE: C

Annihilation (Full Review)

Alex Garland emerged in a big way with 2014’s Ex_Machina. His directorial debut showed that he had the chops to make an intense science fiction thriller without big, bloated CGI effects. In his much anticipated follow up, Garland brings in an impressive cast to take on Jeff VanderMeer’s bestselling novel, Annihilation.

Annihilation_(film)Natalie Portman stars as Lena, a former soldier turned university professor of microbiology whose husband (Oscar Isaac) has been missing for a year. When he mysteriously returns from a secret special ops mission, she discovers that he isn’t the same. Whisked away by a government agency, Lena discovers that her husband is the only person to return from an eerie glowing mass that is spreading along the western seaboard. Determined to understand her husband’s mission, Lena joins a team of scientists (Jennifer Jason Leigh, Tessa Thompson, Gina Rodriguez, Tuva Novotny) to explore the mass and uncover its interplanetary origins.

Steeped in stunning visual effects and eerie cinematography, Annihilation absolutely works as a tense thriller. Inside the mass, where the normal laws of nature have been twisted, the crew’s journey plays out like an intensely violent horror that tests the psyches of all who enter. Each member of the cast holds their own and adds depth to their damaged characters.

Things stumble a bit in the narrative, where flashbacks are interwoven into the story to dive into Lena’s past. The scenes add to her character motivations, but can often undermine the anxious tone. The non-linear style of storytelling also gives away early on that no one makes it out alive except for Lena, which somewhat kills some of the suspense. The ending also gets a bit weird if you’re not quite prepared for the truly bizarre, but overall Annihilation succeeds in being a more exciting version of Ridley Scott’s Prometheus films.

FINAL GRADE: B

2nd Annual Moore Review Awards (2018)

mr2017What are the Moore Review Awards? I’d like to think of them as something between the Oscars and the MTV Movie Awards. The MRA’s were conceived to show appreciation for all of the genres that make up a great year at the movies and not just the art films. Here, we recognize that the performances and stories told in comedies and superhero films can be just as gripping as the dramas and thrillers. The only stipulation is that the movie must have been released in the calendar year of 2017 to be considered. So without, further ado… here are the winners of the 2nd Annual Moore Review Awards! Feel free to share, like and comment your thoughts! SIDENOTE: SPOILERS ABOUND!

 

BEST COMEDIC PERFORMANCE

Bronze: Lil’ Rel Howley (Get Out) – Howley brought some well timed humor as the best friend we all dream of in this 2017 hit.

Silver: Kevin Hart (Jumaji: Welcome to the Jungle) – Hart’s shtick might be getting a little old, but for whatever reason it worked wonderfully here as the jock turned vertically challenged video game sidekick.

Winner: Tiffany Haddish (Girls Trip) – This one really wasn’t that close, to be honest. Haddish brought exuberance and sass in her breakout role and turned what was already a fun film into an absolute blast.

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Other nominees: Dave Bautista (Guardians of the Galaxy Vol. 2), Sharlto Copley (Free Fire), Finn Wolfhard (It)

 

BEST VISUAL EFFECTS

Bronze: Ghost in the Shell – The story didn’t exactly resonate, but the futuristic design was a perfect recreation of the anime source material.

Silver: Valerian and the City of a Thousand Planets – A lackluster narrative kept this film from being a classic, but the visuals and design of the futuristic worlds were absolutely stunning.

Winner: Star Wars: The Last Jedi – The climactic scene on the salt planet Crait alone is worthy of this film getting this award. Fans may be torn on the stories of these new films, but the visuals have been breathtaking.

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Other nominees: Beauty and the Beast, Guardians of the Galaxy Vol. 2, Thor: Ragnarok

 

BEST SOUNDTRACK

Bronze: Star Wars: The Last Jedi – John Williams’ incredible score is once again timeless. The newer music created for the series has managed to feel like a welcomed addition alongside the music from the original trilogy.

Silver: Baby Driver – Edgar Wright’s brilliant screenplay was made all the more unique by a soundtrack that mixed several genres of music seamlessly with its fast paced narrative.

Winner: The Greatest Showman – The composers behind La La Land outdid themselves with this musical. With a mixture of gospel, pop, and R&B, they managed to create something unique and yet not out of place in the film’s early 1900’s setting.

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Other nominees: Blade Runner 2049, Ghost in the Shell, Guardians of the Galaxy Vol. 2

 

BEST ACTION SEQUENCE

Bronze: The Stairwell Fight Scene (Atomic Blonde) – The plot to this movie was all over the place, but the battle between Charlize Theron’s spy character and a horde of German henchmen was exhilaratingly brutal.

Silver: Kylo Ren and Ray team up (Star Wars: The Last Jedi) – This unorthodox lightsaber battle might be one of the best action scenes in franchise history. From the start, it feels like something we all wanted to happen from the conclusion of Episode VII.

Winner: The Opening Getaway (Baby Driver) – With style and some jaw dropping car stunts, the start of this movie sets the tone for one of the best films of the year.

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Other nominees: The Amazons vs. Steppenwolf (Justice League), Logan and X23’s limo escape (Logan), Keanu Reaves vs. Common (John Wick 2)

 

BEST SUPPORTING ACTRESS

Bronze: Hong Chau (Downsizing) – Her charismatic performance turned an otherwise boring film into something fairly heartwarming.

Silver: Silvia Hoeks (Blade Runner 2049) – She might not have been the primary villain of this noir thriller, but her stoic yet devious performance was one of the film’s most memorable.

Winner: Tiffany Haddish (Girls Trip) – If you’ve seen this movie, this should be no surprise. Haddish was a scene stealer, managing to be the life of the party despite sharing the screen with three A-listers.

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Other nominees: Elizabeth Olsen (Ingrid Goes West), Zendaya (The Greatest Showman), Octavia Spencer (The Shape of Water)

 

BEST SUPPORTING ACTOR

Bronze: R.J. Cyler (Power Rangers) – Whatever this adaptation of the 90’s television hit lacked in action, it made up for in character development. And no character shined like Billy. They took a risk giving the character high functioning autism, but it paid off as Cyler’s performance was the glue that made the team feel genuine.

Silver: Mark Hamill (Star Wars: The Last Jedi) – In his return to the role that made him famous, Hamill brought surprising emotional depth without managing to lose the wit and boyish charm that made Luke Skywalker a classic character forty years ago.

Winner: Patrick Stewart (Logan) – We’d never seen Professor X like this before. Stewart was absolutely brilliant as the withered old former mentor of the X-Men, giving the character some edge in this ‘R’ rated film without compromising the fatherly nature of the character.

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Other nominees: Dave Franco (The Disaster Artist), Armie Hammer (Free Fire), Tom Hanks (The Post)

 

BEST ADAPTATION

Bronze: Power Rangers – Say what you want about the lack of action. If it bothers you that much, just go watch Pacific Rim. What made this sequel a blast for any child of the 90’s was how wonderfully they adapted and updated the team of heroes. Here’s hoping they’re able to get a sequel off the ground.

Silver: Wonder Woman – Comic book nerds complain all the time about minor changes to film adaptations, but here there should be nothing to nitpick about. From the plot, to the supporting cast to the leading lady, this was the film the most popular female superhero in history deserved.

Winner: It – With an exuberant cast of charismatic youngsters and a wickedly creepy performance by Bill Skargard, this movie ended up being a perfect recreation of both the Stephen King novel and the 80’s television min-series.

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Other nominees: Beauty and the Beast, Spider-Man: Homecoming, Wonder

 

BEST ONSCREEN ROMANCE

Bronze: Ansel Egort and Lily James (Baby Driver) – With great music to bridge their relationship, these two ended up being an adorable couple with some ‘high school sweetheart’ style charm.

Silver: Aubrey Plaza and O’Shea Jackson Jr. (Ingrid Goes West) – If you haven’t seen this movie, you should definitely check it out. The chemistry between these two unlikely lovers ended up being this movie’s most endearing quality.

Winner: Ryan Gosling and Ana De Armas (Blade Runner 2049) – Who knew a relationship between an artificial human and an artificial intelligence could be this likable. The chemistry and homely charm between these two made the movie’s tragic tone even more captivating.

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Other nominees: Zac Efron and Zendaya (The Greatest Showman), Sally Hawkins and Doug Jones (The Shape of Water), Gal Gadot and Chris Pine (Wonder Woman)

 

BEST ONSCREEN TEAM

Bronze: Dacre Montgomery, R.J. Cyler, Naomi Scott, Becky G, Ludi Lin (Power Rangers) – They did the original 90’s group of teenagers with attitude justice. Not only did they have great chemistry that was well constructed throughout the narrative, but they each had interesting backgrounds and character motivations that made them feel relatable to a modern audience.

Silver: Dwyane Johnson, Kevin Hart, Jack Black, Karen Gillian (Jumanji: Welcome to the Jungle) – Hilarious doesn’t begin to describe this group. Their different styles of comedic timing played well off of each other and helped this movie become a surprise sensation.

Winner: Hugh Jackman, Patrick Stewart, Dafne Keen (Logan) – The fun and emotionally dysfunctional family dynamic of these three is what turned Logan from an exciting action film into one of the best comic book movies of all time.

LOGAN

Other nominees: Ben Affleck, Gal Gadot, Henry Cavill, Ray Fisher, Ezra Miller, Jason Momoa (Justice League), Regina Hall, Tiffany Haddish, Queen Latifah, Jada Pinkett Smith (Girls Trip), The Losers (It)

 

BEST ORIGINAL SCREENPLAY

Bronze: Split – M. Night Shyamalan had been in my doghouse for years, but making a horror thriller where a group of teens are held captive by a man with multiple personality disorder is pretty intriguing stuff. The fact that it also ended up being a quasi-sequel to Unbreakable was also pretty brilliant.

Silver: Baby Driver – Car chases, unique characters, an endearing lead, and a rhythmic soundtrack. Edgar Wright has some great films but this is arguably his best.

Winner: Get Out – Every scene is pertinent. This intense, racially charged script is an absolute marvel that turns the genre on its head.

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Other nominees: The Shape of Water, Coco, Free Fire

 

BEST VILLAIN

Bronze: Michael Shannon (The Shape of Water) – Shannon’s calculatingly methodical performance made this unhinged character steal the show in Guillermo Del Toro’s bizarre romantic drama.

Silver: Bill Skarsgard (It) – From the mannerisms to the voice, Skarsgard’s turn as Pennywise the dancing clown was the gripping centerpiece of 2017’s best horror film.

Winner: Jamie Foxx (Baby Driver) – With style, loads of charisma, and some witty one liners, Foxx’s performance as Bats was one of the many memorable pieces to this exhilarating thriller.

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Other nominees: Charlize Theron (Fate of the Furious), Michael Keaton (Spider-Man: Homecoming), James McAvoy (Split)

 

BEST ANIMATED FILM

Bronze: Despicable Me 3 – The plot might not have been up to par with its predecessors, but Illumination Studios managed to create a heartfelt family movie that was a massive upgrade from 2015’s Minions.

Silver: The Lego Batman Movie – This goofy but endearing movie is proof that the Dark Knight can still be cool and fun even with loads of campiness.

Winner: Coco – Pixar strikes again with a movie that is undeniably brilliant from its breathtaking animation to its tear inducing story. It also deserves tons of credit for its beautiful portrayal of Mexican culture. Representation matters.

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Other nominee – Cars 3

 

BEST DIRECTOR

Bronze: Denis Villenueve (Blade Runner 2049) – Villenueve lands in this spot for the 2nd straight year. This sequel to the 80’s cult sci-fi noir classic improves on the stunning visuals and soundtrack with a script that is intensely captivating.

Silver: Edgar Wright (Baby Driver) – Stylish and intense from beginning to end. The charismatic characters and use of music to enhance the narrative are why this film is an instant classic.

Winner: Jordan Peele (Get Out) – Move over Alfred Hitchcock. Peele’s directorial debut was a masterpiece of filmmaking. Every shot and every single scene from the camera work to the meticulous dialogue holds purpose and meaning.

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Other Nominees: James Franco (The Disaster Artist), Guillermo Del Toro (The Shape of Water), Patty Jenkins (Wonder Woman)

 

BEST ACTRESS

Bronze: Aubrey Plaza (Ingrid Goes West) – Plaza’s pertinent performance as the social media stalker in this indi-film was both humorously awkward and beautifully tragic.

Silver: Gal Gadot (Wonder Woman) – Building on her fantastic cameo in the otherwise dull Batman v Superman, Gadot brought toughness, charm, and grace to the role as the iconic Amazonian warrior.

Winner: Sally Hawkins (The Shape of Water) – She managed to be endearing, witty, and headstrong in a role that required her to use only sign language. If that isn’t great acting then I don’t know what is.

THE SHAPE OF WATER

Other nominees: Brie Larson (Free Fire), Meryl Streep (The Post), Daisy Ridley (Star Wars: The Last Jedi)

 

BEST ACTOR

Bronze: James Franco (The Disaster Artist) – Franco absolutely embodied the personality of the Tommy Wisseau, from the awkward mannerisms and accent to the childish charm.

Silver: Hugh Jackman (Logan) – At this point, it’s hard to imagine anyone else ever playing the grizzled comic hero. In what was likely his last portrayal of the character, Jackman brought more intensity and emotion than ever before.

Winner: James McAvoy (Split) – This felt like a no-brainer to me. McAvoy’s performance as a man with multiple personalities was one of the most captivating I’ve ever seen. Portraying a woman, a pervert, a child, and a gay artist in one movie and making it feel like they’re all genuine personas is nothing short of incredible.

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Other nominees: Ryan Gosling (Blade Runner 2049), Daniel Kaluuya (Get Out), Jacob Tremblay (Wonder)

 

BEST MOVIE

Bronze: Coco – A beautiful story about family and supporting dreams, trademark perfect animation from Pixar, fun characters, and a radiant homage to a rich culture. There’s nothing to dislike about this animated classic.

Silver: Logan – Gritty and exciting from start to finish, Logan was more than just a comic book film. It took established characters and brought them even more nuance with an endearing story that felt ever more tangible with the western noir style of filmmaking.

Winner: Baby Driver – With originality and undeniable flare, this movie never stopped flowing. It had every element of what makes a movie memorable and exciting.

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Other nominees: Blade Runner 2049, Free Fire, The Disaster Artist, Get Out, Wonder

 

Did I forget anything? If I did, it’s probably because I didn’t see the movie (Sorry, Lady Bird). Thanks for another year of likes, shares, and comments! Here’s to another fun year of great performances and stories at the movies!