The 1st Annual Moore Review Awards

mr2017Welcome, to the first annual Moore Review Awards… or “The Brady’s” for short. There are tons of award shows out there, but few manage to encapsulate all of the film genres and show appreciation for the movie going public who can find enjoyment with the mindless action film as well as the thought provoking Oscar bate. That is what the Brady’s are for. Good performances don’t just come in dramas or period pieces, and my awards highlight all of the movies that make us laugh, cry, and sit on the edge of our seats. Quick side note before we get into the awards, films up for nomination had to have been released in 2016 (even if limited) to be considered. Also, as this is a recap of all of the films of last year, there is a SPOILER WARNING for this article. Now, without further ado… enjoy the first annual Moore Review Awards and feel free to comment and share.

BEST COMEDIC PERFORMANCE

Bronze: Zack Efron (Mike & Dave Need Wedding Dates) – Efron is quickly becoming one of the best actors at comedic performances, and he managed to steal the show in this offbeat comedy.

Silver: Alan Tudyk (Rogue One: A Star Wars Story) – The unfiltered droid, K2-SO,provided some of the best comic relief in the franchise’s history


Winner: Ryan Reynolds (Deadpool) – C’mon. Was there any doubt? Deadpool was one of the best movies of 2016 mainly because it simply let Ryan Reynolds be Ryan Reynolds. And that’s almost always hilarious.

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Other nominees: Dwayne Johnson (Central Intelligence), Kevin Hart (What Now?), Kate McKinnon (Ghostbusters)

 

BEST VISUAL EFFECTS

Bronze: Rogue One: A Star Wars Story – If the newer Star Wars films have taught us anything, it’s that for this franchise, practical effects work better than CGI.

Silver: The Jungle Book – Jon Favreau and company managed to make an entire jungle and talking animals look incredibly lifelike.

Winner: Doctor Strange – It wasn’t just cool CGI, but the use of it that made this film look mesmerizing. The added 3D effect really helped bring the psychedelic world to life like nothing we’d ever seen in a superhero film.doctorstrange_teaser_trailer

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Other nominees: Assassin’s Creed, Kubo & The Two Strings, Fantastic Beast and Where to Find Them

BEST SOUNDTRACK

Bronze: Moana – Lin Manuel Miranda, of Hamilton fame, put his stamp on this Polynesian inspired soundtrack.

Silver: Suicide Squad – the plot may have been a mess, but the soundtrack was a perfect combination of old hits and new music that captured the essence of the ragtag characters.

Winner: La La Land – Old Hollywood musical meets new school Jazz. Even without seasoned vocalists, the music in this film was captivating from start to finish.

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Other nominees: Sing, Fantastic Beasts and Where to Find Them, Kubo & The Two Strings

BEST ACTION SEQUENCE

Bronze: The Spanish Inquisition Chase Scene (Assassin’s Creed) – Not a lot to love about this movie, but the parkour chase/fight sequences were exhilarating.

Silver: Darth Vader fight scene (Rogue One: A Star Wars Story) – In a matter of seconds, we got to see why Darth Vader is one of the most menacing villains in pop culture.

Winner: The Airport fight scene (Captain America: Civil War) – The most awesome scene in the history of comic book films. So many heroes doing so many cool things!5289551-3439904924-top-5

Other nominees: The Mirror Dimension fight (Doctor Strange), Batman rescues Martha Kent (Batman v Superman), Quicksilver mansion rescue (X-Men: Apocalypse)

BEST SUPPORTING ACTRESS

Bronze: Janelle Monae (Hidden Figures) – The songstress played Mary Jackson with lovable spunk and a headstrong vigor that made her the woman you’d want to fall in love with.

Silver: Noami Harris (Moonlight) – While the drug addict mother is a bit of a cliché character, Harris played the role with gut wrenching intensity.

Winner: Viola Davis (Fences) – Davis somehow managed to out act Denzel Washington with a few monologues that had beautiful emotional execution.

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Other nominees: Viola Davis (Suicide Squad), Octavia Spencer (Hidden Figures), Gal Gadot (Batman v Superman)

BEST SUPPORTING ACTOR

Bronze: Robert Downey Jr. (Captain America: Civil War) – RDJ gave his best performance as Tony Stark yet, as a conflicted hero whose sense of retribution pit him against his closest friends.

Silver: John Goodman (10 Cloverfield Lane) – Goodman’s creepy performance was what made the simplistic film so suspenseful.

Winner: Mahershala Ali (Moonlight) – An up-incoming actor who played the mentor role with perfection. The biggest flaw with Moonlight is that he isn’t in it enough.

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Other nominees: Donnie Yen (Rogue One: A Star Wars Story), Jai Courtney (Suicide Squad), Chiwtel Ejiofor (Doctor Strange)

 

BEST ADAPTATION

Bronze: Captain America: Civil War – While it was a watered down version of the comic mini-series, the film succeeded in giving a ton of a heroes reason to be onscreen together and come into conflict with each other.

Silver: Hidden Figures – Margot Lee Shetterly’s historical account was well crafted into a heartwarming story about African American women overcoming prejudice.

Winner: Deadpool – No comic film has been adapted as perfectly as this film was. They kept the violence, humor, and fourth wall breaks intact without compromising the endearment of the characters.

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Other nominees: Fences, Doctor Strange, Fantastic Beasts and Where to Find Them

 

BEST ONSCREEN ROMANCE

Bronze: Ryan Reynolds & Morena Baccarin (Deadpool) – Even with all of the violence and humor, the chemistry between these two is what gave the film its heart.

Silver: Multiple actors who played Black & Kevin (Moonlight) – Same sex relationships are rarely shown on screen, even fewer between men. This film’s portrayal of such a relationship was both groundbreaking and emotionally captivating.

Winner: Emma Stone & Ryan Gosling (La La Land) – The two actors are insanely likable apart, and their chemistry in this film helped drive an already interesting narrative.

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Other nominees: Matthew McConaughey & Charlize Theron (Kubo & The Two Strings), Seth Rogen & Kristen Wiig (Sausage Party), Lamorne Morris & Margot Bingham (Barbershop: The Next Cut)

BEST ONSCREEN TEAM

Bronze: Kristin Wiig, Kate McKinnon, Melissa McCarthy, Leslie Jones (Ghostbusters) – Despite the unfair comparisons to their male predecessors, this group of female comedians had a fun dynamic onscreen and each had a moment to shine.

Silver: Team Cap (Captain America: Civil War) – Unlike Team Iron Man, this team was cohesive and got a surprising MVP performance from Ant-Man.

Winner: The Rebels (Rogue One: A Star Wars Story) – This team provided a great blend of different characters from noble Chirrut Inwe to snarky K2-SO. Despite their wide range of personalities, they all had a likable trait and they meshed beautifully in accomplishing their ill-fated mission.

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Other nominees: Ryan Gosling & Emma Stone (La La Land), The magnificent seven (The Magnificent Seven), Jonah Hill & Miles Teller (War Dogs)

BEST VILLAIN

Bronze: Oscar Isaac (X-Men: Apocalypse) – Sure, the Apocalypse character was a bit too cliché megalomaniac. But Isaac brought great charisma and a deviously regal aura to the role.

Silver: Stephen Lang (Don’t Breathe) – Creepy, intimidating, and arguably not a villain. Lang’s eerie blind man made this suspense thriller a must see.

Winner: John Goodman (10 Cloverfield Lane) – Goodman’s character might’ve been the only one creepier than the Blind Man. The fact that this murderous, kidnapping, conspiracy theorist turned out to be less crazy than we thought just makes the character even more frightening.

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Other nominees: Ed Skrein (Deadpool), Ben Mendelsohn (Rogue One: A Star Wars Story), The Shark (The Shallows)

 

BEST ORIGINAL SCREENPLAY

Bronze: La La Land – An endearing idea of molding classic Hollywood musicals with modern jazz as the backdrop to a love story where both characters  are struggling to follow their dreams.

Silver: Moonlight – It’s often amazing how few films there are about same sex relationships. Combining that concept with the element of a character’s childhood, adolescents, and adulthood help add to the splendor of this thought provoking film.

Winner: 10 Cloverfield Lane – Making a movie where virtually all of the scenes take place in two rooms between three characters isn’t easy, but to make one as suspenseful as this one is a testament to a sensational script.

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Other nominees: Zootopia, The Nice Guys, Don’t Breathe

 

BEST ANIMATED FILM

Bronze: Kubo & The Two Strings – Gorgeously animated, stylish, exciting and clever with a wonderful cast of characters.

Silver: Finding Dory – A sequel as good or better than its predecessor. This movie gave us a tear jerking story and a host of wonderful new characters to go along with the ones we loved from Finding Nemo.

Winner: Zootopia – Smart, funny, and incredibly socially relevant for a children’s film. Zootopia is a modern Disney classic.

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Other nominees – Sing, Moana, The Secret Life of Pets

 

BEST DIRECTOR

Bronze: Denis Villenueve (Arrival) – Breathtaking cinematography and brilliant non-linear framing helped make this thinking man’s sci-fi film into one of the most beautiful film’s of the year.

Silver: Fede Alvarez (Don’t Breathe) – This movie was proof that good direction can make or break any film. Claustrophobic camera angles and an eerie score helped make Don’t Breathe a memorable slasher/thriller film.

Winner: Damien Chazelle (La La Land) – There were so many memorable scenes that stand out in this film. The musical numbers were sensational and the ending montage was the cherry on top of a well crafted, enjoyable film from beginning to end.

Director Damien Chazelle and Emma Stone on the set of LA LA LAND.

Other Nominees: Theodore Melfi (Hidden Figures), Travis Knight (Kubo & The Two Strings), Jon Favreau (The Jungle Book)

 

BEST ACTRESS

Bronze: Emma Stone (La La Land) – Stone’s performance was both charming and soulful and had audiences rooting for the struggling actress from her first audition.

Silver: Taraji P. Henson (Hidden Figures) – The sensational depths of her performance as Katherine Johnson can be  summed up in her powerful monologue after having to run in the rain to the ‘colored’ restroom.

Winner: Amy Adams (Arrival) – A movie with such a somber tone has to have a solid leading lady to keep things flowing. Adams is both clever, headstrong and endearingly vulnerable in her performance as Louise Banks.

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Other nominees: Mary Elizabeth Winstead (10 Cloverfield Lane), Margot Robbie (Suicide Squad), Emily Blunt (Girl on the Train)

 

BEST ACTOR

Bronze: Ashton Sanders (Moonlight) – All of the people who played Chiron were great, but Sanders’ performance as the teenage boy struggling with his sexuality was easily the most incredible. Sanders’ portrayal helped illustrate the boy’s transition from meager bullied kid into a tough and relentless man.

Silver: Denzel Washington (Fences) – Denzel will always deliver. In Fences he had one gripping monologue after another and helped carry a narrative that might’ve dragged without his (and Viola Davis’) performance.

Winner: Ryan Gosling (La La Land) – Sauve, charismatic, and intensely soulful. Gosling made the character of Sebastian easily the most fun and likable character on screen in 2016. He also gets extra credit for actually learning how to tap dance and play the piano for the role.

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Other nominees: Tom Hanks (Sully), Will Smith (Suicide Squad), Ryan Reynolds (Deadpool)

 

2016 MOVIE OF THE YEAR

Bronze: Deadpool – Making a unique superhero film in this day and age is not easy. And yet, Deadpool manages to be a satire of the genre while also providing intense action and a charming romantic subplot.

Silver: Zootopia – Pertinent to the point that it should be required viewing in schools, Disney’s masterpiece also manages to be heartwarming and incredibly funny for a film with such a thought provoking subject matter.

Winner: La La Land – Fun, beautifully filmed, smart, soulful, and lead by two actors with infectious charm this musical reminded us of what was so wonderful about old school Hollywood filmmaking.

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Other nominees: Arrival, Hidden Figures, Captain America: Civil War, Sully, Finding Dory

There you have it ladies and gents. The first annual MooreReview.com Awards is in the books. Thanks for reading and I look forward to 2017’s nominees. Please like/share and feel free to comment who you think the winners should’ve been. As for the 2016 Academy Awards, expect films like La La LandMoonlight, and Fences to rack up.

The 1st Annual Moore Review Awards

Redbox Reviews: Kubo & The Two Strings

Laika has quickly become a studio known for sensational filmmaking. Paranorman was one of my favorite films of 2012, and even though their last film, Box Trolls wasn’t as strong of a story, it still managed to dazzle with its unique animation and generally charming message. Their newest film, Kubo and the Two Strings, feels like an old bedtime story with all of the magic, mysticism, and heart that make old legends so entertaining.

kubo_and_the_two_strings_posterLike all of Laika’s films, Kubo and the Two Strings is a stop motion animated film. It tells the story of Kubo (Art Parkinson), a boy who lost his eye when his mother escaped with him after her magical father (Ralph Fiennes) and sisters kill her husband. When Kubo’s magical twin aunts (Rooney Mara) track him down, the boy must journey with his talking monkey guardian (Charlize Theron) and an amnesiac beetle samurai (Matthew McConaughey) to find the only thing that can protect him: his father’s legendary armor.

As mentioned, all of Laika’s film are gorgeously animated. Knowing the meticulous nature with which these films are made only adds to the splendor. But even if it didn’t look incredible to the eyes this film would still be a triumph. The story is filled with wondrous adventure and incredible action sequences that never slow. And at the heart of it all are some of the most endearing characters in any animated film. Monkey is a harsh, but caring mother figure and Beetle is a bumbling but brave sidekick. Even a mute, magical origami samurai that guides Kubo provides a touch of comic relief and a dash of nobility.

With memorable characters, great animation, soothing music, and a captivating story that is great for all ages (although perhaps a bit frightening for the youngest viewers), there is nothing to dislike about Kubo and the Two Strings. It is undoubtedly one of the best films of 2016, and if you failed to catch it in theaters as I did, then you should rush to your nearest redbox if you’re a fan of any period adventure film.

FINAL GRADE: A

Redbox Reviews: Kubo & The Two Strings

Moonlight (Full Review)

It’s always nice when a film explores seldom acknowledged and often completely untouched subject matters. The best films and the best actors aren’t afraid to enlighten. Moonlight, directed by Barry Jenkins, is as unique a coming of age story that can be found in cinema. Exploring themes such as homophobia, bullying, and existentialism, it is undoubtedly a story that has power and value.

moonlight_2016_filmThe film tells the story of a boy, who becomes a teen, and then a man. The boy (Alex R. Hibbert) is a quiet child who is struggling with being bullied and whose mother (Naomie Harris) is a drug addict. He is eventually taken in by a caring drug dealer (Mahershala Ali) and his girlfriend (Janelle Monae) who become his mentors. By the time he becomes a teen (Ashton Sanders), his social issues have only compounded as he continues to battle with his sexuality and his relationship to his more popular best friend, Kevin (Jharrel Jerome). By the time he has reconnected with Kevin as a man (Trevante Rhodes), he has become a drug dealer himself and is still attempting to come to terms with his own identity.

Every performance in Moonlight is transcendent. The three actors who portray  the lead character, Chiron, do so with poetic, yet gut wrenching depth that makes the character both endearing and heroic. Mahershala Ali brings soul and a calming, nuanced wisdom as Chiron’s young mentor, Juan. Naomi Harris is equally brilliant as Chiron’s emotionally abusive mother although the character does feel a bit like a drama film cliche.

But Moonlight is not without its flaws. As a narrative, it never quite flows. The film is constructed into segments centered on each stage in Chiron’s life, but in doing so, a lot gets left off the table in its overall presentation. The segment about his childhood feels like it ends too soon, while the climactic scenes about his adulthood feel like an overall footnote. As a result, sensational characters like Mahershala Ali’s Juan are underutilized and many experiences that could help shape the character once we’ve seen him mold into an adult are left to quick exposition or mere speculation.

The performances allow us to see where Chrion’s journey takes him, but because of the abrupt shifts in narrative, we never truly experience it. The exception is the middle segment which easily feels like a story which has a beginning middle and end, but the rest feels like a television season where we’re missing episodes. It doesn’t take much away from an overall splendid film with wonderful acting and beautiful cinematography, but it did leave me wanting just a little more from its compelling story.

FINAL GRADE: B

Moonlight (Full Review)

Assassin’s Creed (Full Review)

Once upon a time, Hollywood thought superhero movies would never be mainstream. Now, they’re some of the most profitable films in existence and Oscar winners are lining up to be in them. So maybe, just maybe, video game movies (a genre that’s always been relatively terrible) are finally ready to come along and be consistently entertaining.

assassins_creed_film_posterAssassin’s Creed is a popular video game about an ancient order of secret assassins who serve to fight against an elitist group known as the Templar. The film stars Michael Fassbender as Callum Lynch, descendant  of a 15th Century Spanish assassin who is apprehended  by the modern day Templar and their lead scientist, Sophia Rikkin (Marion Cotillard). Sophia and her father (Jeremy Irons) hope to use a machine, known as the Animus, to tap into the memories of Callum and other assassin descendants (Michael K. Williams) in hopes of finding a legendary relic that can control the free will of mankind.

The plot to this film is all over the place and the more you think about it after it’s lengthy climax, the more holes you discover in the story (Like how is Callum a descendant when his Spanish counterpart is never established to have any offspring?). Fans of the game may care about the use of the Animus, but in this film it just feels like an unnecessary gimmick. And while the concept may work for a video game, here it just seems overly convoluted and hellishly distracting.

The film switches between the two time periods and when things are in the present day, nothing ever really occurs to make the audience care about the characters or their motives. As for the movie’s star studded cast, none of them seem capable of overcoming wooden dialogue to make their characters relatable or even likable. Thus, every second of the film spent in the modern day feels boring.

And it’s an absolute shame, because the parts of the film taking place during the Spanish Inquisition are fantastic. Whether it’s exhilarating action sequences or just captivating shot angles that take advantage of 3D technology, the parts of Assassin’s Creed that focus on ancient assassins is fun to watch. Even the relatively silent characters of this portion (Fassbender and Ariane Labed) are infinitely more interesting. If only they’d made that era the focus, we’d finally have a rare video game movie that isn’t forgettable.

FINAL GRADE: C-

 

Assassin’s Creed (Full Review)

Fences (Full Review)

Denzel Washington. There are very few people in existence who can give a monologue like him. But he might have met his match, at least for this film, in the form of fellow Oscar winning actress Viola Davis. Like Denzel, Viola can shine even in mediocre films. The two sensational performers join forces as Denzel steps behind the director’s chair to adapt August Wilson’s Pulitzer Prize winning play.

fences_filmFences stars Denzel as Troy, a 53 year old former Negro League baseball player struggling to make ends meet as a garbage man with his wife, Rose (Davis), in 1950’s Pittsburgh, Pennsylvania. Together, they navigate Troy’s struggles with his mentally handicapped brother (Mykelti Williamson) and his rocky relationship with their teenage, athlete son (Jovan Adepo) and Troy’s illegitimate, musician oldest son (Russell Hornsby). As an original play, the film is low on thrills, but heavy on drama and emotion. The movie itself feels very much like a play and with that comes the pros and cons of most stage play to movie adaptations. The movie is long and very slow, but dragging moments are lifted by the sheer power of the two leads.

To no surprise, Washington and Davis are both brilliant in their performances. Washington is both charismatic and emotionally jarring. His scenes with Jovan Adepo provide some of the best dialogue on film. But when the real drama sets in toward the end of the film, Viola Davis takes the lead as the most magnetic person on screen. Her portrayal is filled with the soulfully endearing passion that makes her the hero of the entire narrative.

If you go in knowing that the film will be methodical then the sluggish pacing won’t be nearly as off-putting. Filled with magnetic monologues from not just Davis and Washington, but every major player, Fences is a movingly poignant story of African American culture in the 1950’s that is beautiful to witness. And I can die happy knowing that two of the best in the business were able to bring it to life.

FINAL GRADE: A-

Fences (Full Review)

My Top 10 Favorite Movies of 2016

Another year is in the books and with it comes another year of ranking my Top 10 movies. It’s almost impossible to say that one movie is actually the best, so these are simply my favorites; i.e. the movies that I had the most enjoyable experience watching in 2016. Click on each title to read the full review. Thanks to everyone who read, shared, commented, or liked any of my posts this year and I look forward to bringing more insight in 2017. Happy New Year everyone!

10. SING 

While it didn’t break any new narrative ground, Sing capped off one of the best years ever for animated movies. A great cast of characters and wonderful music made this film a fun, heartwarming holiday film for the whole family.

9. DOCTOR STRANGE

Marvel does it again. Even if it wasn’t part of a larger film franchise, it would’ve been an awesome film to watch thanks to a great cast and utterly stunning visuals.

8. MOANA

The animated masterpieces keep on coming. This film gave us two great lead characters that are sure to become Disney classics. A few wonderful songs composed by musical genius Lin-Manuel Miranda was the icing on the cake for this fun, stylistically unique adventure.

7. ROGUE ONE: A STAR WARS STORY

Capitalizing on the success of The Force Awakens, this film manages to heighten the Star Wars mythos while providing some great original characters and one of the most invigorating final acts of any movie this year.

6. CAPTAIN AMERICA: CIVIL WAR

Whether you side with Captain America or not, it’s hard to argue that the character has produced some of the best super hero films to date. This one was a well crafted thriller that successfully pitted heroes vs. heroes and produced some great action and surprisingly deep emotional moments.

5. ARRIVAL

A great think peace with splendid acting. Arrival was a well crafted narrative with a beautiful message and ending.

4. DEADPOOL

The funniest movie of the year. Ryan Reynolds was at his best and helped deliver a tongue and check, violently awesome take on the superhero genre.

3. LA LA LAND

A gorgeous throwback to old Hollywood musicals that gave us one of the best on screen duos of the year. From start to finish this movie is magically endearing.

2. FINDING DORY

One of the best sequels to date. This movie added fun and interesting characters to go along with one of the best animated characters to ever be onscreen. Chocked full of hilarious moments and enough emotion to make even the toughest person tear up, Finding Dory proved that Pixar is still the best at crafting smart, funny, and touching animated films.

1. ZOOTOPIA

Not only was this movie beautifully animated and filled with some great puns and sight gags, but it also delivered on a story that is incredibly pertinent. Zootopia is an intelligent, emotional guide to humanity disguised as a funny family cartoon and it is a much watch for everyone both young and old.

HONORABLE MENTIONS: The Jungle Book, Sully, The Secret Life of Pets, X-Men: Apocalypse,  The Nice Guys, Sausage Party, 10 Cloverfield Lane

My Top 10 Favorite Movies of 2016

My 10 Least Favorite Movies of 2016

You should never take negativity into the new year. So before the calendar turns, let’s get the countdown of the worst movies in 2016 out of the way. As always, I don’t get a chance to catch every movie, and the bad flicks slip through the cracks way more than the good ones do. So there are plenty of movies that won’t make this list because I never got around to wasting my time watching them. Also, full disclosure: If you’re looking for movies like Batman v Superman, Suicide Squad, or Passengers, there’s a difference between disappointing and virtually unwatchable so those 2-hour balls of depression managed to miss the cut. Click on the title to get the full review. And of course, have a happy and safe New Year everyone.

  1. OFFICE CHRISTMAS PARTY

Office Christmas Party seems to inefficiently operate with the idea that loud and outrageous always equals funny. It doesn’t”

  1. ANGRY BIRDS

everything… about the film, from its relatively flat sight gags and slapstick humor to the overly kinetic plot, is an absolute mess. The story flows like a concept being pitched by an imaginative 4th grader who’s making it all up as he’s playing the game for the first time”

  1. WARCRAFT

a bland script and a plot void of any real surprises gives us a cast of generic characters that lack the charm or unique qualities to make them stand out as memorable. The result is a movie that struggles to make anyone care who, like me, never played the games.”

  1. RIDE ALONG 2

“Ride Along 2 just isn’t funny and like its predecessor, relies on the same tricks to try and justify its existence.”

  1. KEEPING UP WITH THE JONESES

“It almost feels like a Saturday Night Live parody of something more interesting. The plot has no twists or unexpected turns making it feel like something written in a day”

  1. THE DIVERGENT SERIES: ALLEGIANT

“Allegiant isn’t quite as droll as Insurgent, but it is bad for entirely new, avoidable reasons. Shoddy CGI and a few segments of noticeable green screen make the movie look cringe worthy in certain spots”

  1. GODS OF EGYPT

“this movie manages to be chocked full of as many plot holes as action sequences…  The fact that the film is poorly cast, filled with hardly relevant/unlikable characters that do idiotic things, and is about 30 minutes too long all make for an unpleasant overall experience.”

  1. WHEN THE BOUGH BREAKS

“These movies usually involve stalker tendencies, blackmail, and the inevitable violent showdown at the end, but this movie does the bare minimum to even qualify as a thriller. I gave The Perfect Guy an ‘F’ last year, and this movie is significantly less watchable.”

  1. THE BOSS

“This may very well be McCarthy’s worst film. I spent the first 45 minutes waiting to laugh and even after the movie was over I had trouble recollecting a single funny moment.”

  1. INDEPENDENCE DAY: RESURGENCE

“I searched myself for over 24 hours for something enjoyable about this film. Make no mistake, Independence Day: Resurgence is a loud, clumsy and hollow sequel that taints the legacy of its predecessor.”

HONORABLE MENTION: Now You See Me 2, The Legend of Tarzan, The Perfect Match

 

My 10 Least Favorite Movies of 2016