Coco (Full Review)

No one brings grown men to tears like Pixar. Up, WALL-E, Inside Out, any Toy Story movie… those are just a few of the instant classic films that the Disney owned studio has created. Their newest film, Coco, is another example of their ability to create emotional, yet fun animated, family entertainment.

Coco_(2017_film)_posterCoco is the story of a young Mexican boy named Miguel (Anthony Gonzalez) who loves music and has dreams of becoming a famous musician. But Miguel is forbidden to play or even listen to music due to his great great grandfather walking out on the family to pursue life as a musician. So, his great great grandmother Imelda (Alanna Ubach) instilled a generational hatred for music that keeps Miguel from following his dreams.

But on Dia De Muertos, a holiday when deceased ancestors visit their living relatives, Miguel discovers that his great great grandfather was a famous musician named Ernesto De La Cruz (Benjamin Bratt) and decides to sneak into his grave site and steal his unique guitar to perform at a talent show. The act of thievery traps him in the land of the dead where he must travel to find Ernesto before the holiday is over or be trapped forever. Helping him on his journey, is a trickster named Hector (Gael Garcia Bernal) who needs Miguel’s help to preserve his memory in the living world less he cease to exist.

Coco is nothing short of a marvel of storytelling. Like many of the Pixar films, the story is a brilliantly paced adventure with the appropriate touch of heart and Disney fairy tale magic. Though as hard headed as he is brave, Miguel is a character that is easy for audiences to gravitate toward and his companion Hector is charismatic and holds a backstory that is equally heartwarming. What stands out most about the perfectly crafted script, is that it allows each of its characters to grow so that by the end, Miguel learns the value of family, and the family feels genuinely apologetic about holding him back.

One of the greatest hallmarks of Pixar isn’t just its intricate storytelling, but also its attention to detail. Coco is even more visually stunning than Pixar’s greatest creations. The animators craft the land of the dead as a marvelous spectacle of light and sound. Little details like the texture of objects, the flowing of water, and the complex movements of fingers along a guitar make the environment feel as real as a live action film.

As a children’s film, it may not be as splendid for the youngest of viewers. There are a few eerie and dark aspects to the film, like murder, but that shouldn’t come as a surprise from a studio that has never shied away from the concept of sudden death before. There also aren’t as many heavy and memorable comedic moments as you’d find in some of the Pixar classics, but holding Coco to the standard of family films rather than Pixar greats makes it a sensational creation none the less. Coco succeeds in delivering its message with near tear inducing effectiveness and also deserves the utmost credit for being true to the heritage and culture of its setting.

FINAL GRADE: A

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Cars 3 (Full Review)

Cars has always been the black sheep of the Disney Pixar family. The first film is pretty good, but its unwarranted sequel is the only purely bad film in the studio’s illustrious gallery. And yet, thanks to the magic of merchandising revenue, the sequel no one liked has begat the sequel no one asked for in Cars 3.

Cars_3_posterOwen Wilson returns to voice Lightning McQueen, the famed champion of racing in this world where vehicles replace people as living beings. When a sleeker, more dominant young racer named Jackson Storm (Armie Hammer) threatens to force him into retirement, McQueen decides to work with a spunky young trainer named Cruz Ramirez (Cristela Alonzo) in hopes of proving that his best days aren’t behind him. Larry the Cable Guy reprises his role as McQueen’s best friend Mater and Bonny Hunt returns as McQueen’s girlfriend Sally.

Cars 3 is as wholesome as ever, for better and worse. ‘G’ rated films have become increasingly rare, as more and more animated family films try to keep things as interesting as possible for older audiences while still remaining kid friendly. Thus, Cars 3 feels like the Nick Jr. to the rest of the animated world’s Nickelodeon. The jokes are pretty simple which makes things delightful enough to warrant a smile but never anything heavier than that. The story might also fail to interest any non-toddler as it lulls in the middle before finally becoming exciting in its final act.

While it is by no means on par with any of Pixar’s masterpieces, Cars 3 does deserve points for being far more necessary than its predecessor. It is undoubtedly a fun film for youngsters, even if their parents might dose off once or twice. And if you are a childless adult who scoffs at the idea that Pixar movies are only for kids, I suggest you pass on Cars 3.

FINAL GRADE: C

 

 

Finding Dory (Full Review)

Pixar is the gold standard of animated family films. Among their many classics, few movies are as beloved as 2003’s Finding Nemo. The story about a father searching for his disabled son and learning not to be overprotective was highlighted by a cast of great characters. Ironically, the most unforgettable character was the one who couldn’t remember anything. And now, 13 years later, the Disney animation goliath brings us a much anticipated sequel that follows Dory on an all new adventure.

Finding_DoryPixar proved it can follow one of its classics with an equally fantastic film with the Toy Story trilogy. But before you go thinking Finding Dory is a lock to be a great follow up, I have two words for you… Cars 2. With Dory, the Pixar filmmakers had the challenge of making a movie with just as much heart, while maintaining a similar message about cherishing family and overcoming adversity that could easily feel repetitive. They manage to succeed, with flying colors.

Finding Dory picks up one year after Finding Nemo. Blue tang fish, Dory (Ellen DeGeneres) continues to suffer from short term memory loss and now lives with her best clownfish buddy Marlon (Albert Brooks) and his son, Nemo (Hayden Rolance). One day, a series of familiar phrases triggers her memories of her long lost parents (Diane Keaton, Eugene Levy) and Dory sets out on a mission to reunite with them. The journey may seem like a retread, but a fantastic set of characters make it feel like anything but.

Pixar’s ability to create memorable characters is often what sets their films apart. Well… that and flawless animation. Finding Dory is a magnificent follow up to a beloved classic mainly because of its large cast of new characters, each one hilarious and unique. There’s a near sighted whale shark (Kaitlin Olson), a beluga whale that thinks it’s sick (Ty Burrell), and a pair of lazy and bossy sea lions (Idris Elba and Dominic West). But perhaps no character is as critical to the movies fun and charisma as Hank (Ed O’Neil), a temperamental octopus trying to prevent being released from a safe and secure Marine hospital.

Sure, Ellen DeGeneres is once again endearing as Dory and Marlon and Nemo provide several laughs and valuable lessons, but without the new faces, the movie would feel like a good, but relatively unnecessary sequel. But these new characters make this heartwarming story about Dory overcoming her shortcomings and finding her family feel fresh and the missing piece we didn’t even realize we needed. I’ve always said, every movie doesn’t need a sequel, but sometimes… when the right people are behind it…. some movies most certainly do. And in the case of Finding Dory, despite being a bit more over the top than the original, it’s the sequel adults and kids have been waiting for.

FINAL GRADE: A+

Pixar’s The Good Dinosaur (Full Review)

The_Good_Dinosaur_posterNo one knows how to get you in your feelings like Pixar. Andy saying his final goodbye to Woody and Buzz Lightyear in Toy Story 3, Marlin finally being reunited with his lost son in Finding Nemo, the entire opening sequence to Up… sometimes you have to have a heart of stone just to get through a Pixar movie without getting watery eyes. This summer’s Inside Out was no different, and it is this kind of emotional storytelling that has help make Disney/Pixar films a step above their competition.

The studio’s newest film, The Good Dinosaur seeks to carry on their rich tradition of fun, but emotional animated entertainment. Set in a world where dinosaurs never went extinct, it follows a young Apatosaurus named Arlo who lives with his two farmer parents and his rambunctious, but physically superior brother and sister. After a storm separates him from his family, Arlo (voiced by Raymond Ochoa) reluctantly befriends a wild human boy named Spot in hopes that he can help him find his way home.

It’ll be easy for audiences of all ages to sympathize with young Arlo as he embarks on his journey and faces common issues from the loss of a loved one to dealing with an inferiority complex, to learning how to overcome fears. But the real winning element in The Good Dinosaur is the relationship between Arlo and Spot. The film does a wonderful job building their relationship while creatively putting a new spin on the “man and his loyal pet” dynamic. Several other eclectic characters come and go, but none of them resonate as much Spot does.

The only thing keeping The Good Dinosaur from being an instant classic is the fact that it borrows so many elements from animated family films we’ve seen before. There are doses of Lion King, Finding Nemo, Up! and several others sprinkled in that, at times, make the movie feel unoriginal. Still, it’s hard to deny the film’s charm. And, it should go without saying, the animation is as flawless as anything I’ve ever seen. The Good Dinosaur is an emotional ride, but it is a valuable one. And while it may not match the iconic status of some of the studio’s classics, it is still another solid entry that further illustrates how Pixar can virtually do no wrong… except for Cars 2.

FINAL GRADE: B+