The Equalizer 2 (Full Review)

So what, if Denzel Washington is 63-years-old? He could be an 80-year-old, blind, paraplegic and he’d still be able to sell himself as an action star. Few actors can command a scene like Washington. So even though he’s getting up there in age, it’s still exciting to see him reunite with Director Antoine Fuqua and reprise his role as Robert McCall for The Equalizer 2.

The_Equalizer_2_posterWhen Robert McCall isn’t spending time exacting vigilante justice on bullies and gangsters who prey on the little guy, he’s ferrying people around as a Lyft driver and mentoring a young artist (Ashton Sanders) who lives in his apartment building. But that all changes when McCall learns that his closest friend and former colleague (Melissa Leo) has been murdered. With only the help of another former partner (Pedro Pascal), McCall begins a violent mission to avenge his friend.

It should be no surprise that Washington is once again magnetic as McCall. The wholesome charm and calculated intelligence he brings to the character reminds you of a guardian angel or the father figure everyone would want. The action sequences also don’t disappoint… unless you’re actually looking for the hero to be challenged (Hint: It’s not that type of movie). Like John Wick or Liam Neeson in Taken, Denzel moves throughout this film punishing his enemies with inventive fight choreography and some keen camera work to highlight each move.

But there is one massive problem with The Equalizer 2. It barely has a story. The first third of the movie feels like snippets of a T.V. show with McCall playing nice with uninteresting side characters and beating up random bad guys. Sure, it’s important to show audience members who skipped the first Equalizer that McCall is a badass, but one scene of this nature would suffice. We also don’t need to have a bunch of minor characters for McCall to connect to when one (Sanders) is clearly established as the most integral to the plot.

While the first film didn’t have an intricate plot by any stretch, it still maintained a focus around Chloe Graze-Moretz’s character. Yes, Denzel Washington is fun to watch in his return to the role, but it appears as if his character doesn’t actually have anything interesting to do this time around. It shouldn’t take an hour for a film to find its focal point, and when it does, it’s hard for anyone to stay interested regardless of who is in front of the camera. Equalizer 2 has some exciting moments, but it’ll be one of the last movies you’ll remember from 2018.

FINAL GRADE: C

Advertisements

The Magnificent Seven (Full Review)

magnificent_seven_2016The western, or “Shoot ‘em ups” as my grandfather calls them, was once America’s most popular and profitable movie genre. But after the days of John Wayne and Clint Eastwood, America moved on to science fiction and buddy cop movies, leaving the old west behind. Now, even the best westerns get little love. So, here comes Denzel Washington to the rescue along with Director Antoine Fuqua (Training Day, The Equalizer) to try and revitalize the genre with a remake of The Magnificent Seven.

The original Magnificent Seven (1960) is itself an old west retelling of a (superior) Japanese film called The Seven Samurai. Both tell the story of a group of seven outlaws who band together to defend a small town from bandits. This new film carries the same premise with Denzel stepping into the lead role as a bounty hunter recruited by a widow (Haley Bennett) to save her town from a wealthy land thief (Peter Sarsgard). Rounding out the seven cowboys are a snarky gambler (Chris Pratt), a former soldier (Ethan Hawke) and his assassin friend (Byung-Hun Lee), a Mexican fugitive (Manuel Garcia-Rulfo), a Comanche warrior (Martin Sensmeier), and a comedic old timer with a proclivity for chucking axes (Vincent D’Onofrio).

The premise was fresh to audiences in the 1960’s, but here it feels cliché from the pacing to the characters. The dialogue, the camera work, and even the gunslinging all ends up feeling like a generic western. The often cartoonish nature of a few scenes make the overall product seem like a summer blockbuster version of something meant to be a little bit more thought provoking (see the Japanese original).

But there is certainly some enjoyment to be had. As always, Denzel Washington commands every scene he’s in. Chris Pratt, through a relatively weak cowboy accent, does provide a few laughs even though his character is just an 1800’s version of Star Lord. And overall the camaraderie of the seven men is felt even if it is rushed through. As for the loud, often over the top and formulaic action, it’s hard to not find it entertaining. So even if Magnificent Seven isn’t fresh or memorable like Quentin Tarentino’s Hateful Eight, it is a relatively fun two hour romp filled with the guns, explosions and bravado that make the genre worth watching.

FINAL GRADE: C+