The First Purge (Full Review)

It’s easy to tell when a franchise has lost its luster. Things begin to feel redundant and the themes start to lose subtlety. When The Purge was released in 2013, it created an interesting concept. What if all crime, even murder, was legal for one 12-hour period each year? The Purge: Anarchy and Election Year expanded upon that concept. But having milked that premise in a trilogy, not even a prequel can keep this series from starting to feel stale.

The_First_Purge_posterThe First Purge takes place nearly a decade before the first film. With the aid of a psychoanalyst (Marisa Tomei), the radical government regime known as the New Founding Fathers of America decide to use Staten Island, New York for the first experimental purge. Once they realize more citizens are interested in partying rather than committing murder, the NFFA takes matters into their own hands by bringing in trained killers and white supremacists. Caught in the chaos are an activist (Lex Scott Davis) and her drug dealing brother (Joivan Wade), a single mother (Lauren Velez), and the island’s biggest kingpin (Y’lan Noel).

In case it wasn’t made clear earlier in this review, The First Purge is redundant and lacks any subtlety. There is virtually nothing in this film that will be considered refreshing or exciting to anyone who has seen any other Purge movie. We’ve already seen both skilled combatants and mere civilians stuck in the streets during the Purge in two other movies, so it adds no real intrigue here. The concept of the government masquerading as purgers as a means of population control has also been used before. So aside from gangster movie cliches, more creepy masks, and some fresh faces with decent acting chops, there’s absolutely nothing this movie has to add.

What makes matters worse is the ending. Y’Lan Noel’s character going full John Wick to save his friends from a pack of neo-Nazis in an apartment building, makes the film go from typical Purge movie to an outright ridiculous 90’s Jean-Claude Van Damme movie. If all the creators of this franchise can do is come up with different ways to get people out on the streets during the Purge, then it is definitely time to put it to rest before it gets any more unbearable.

FINAL GRADE: D

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Spider-Man: Homecoming (Full Review)

If at first you don’t succeed, try try again. The Tobey Maguire Spider-Man franchise started off just fine, until Spider-Man 3 made it come to a dark, disco dancing halt. Sony Pictures then rushed a pair of needless reboots into production starring Andrew Garfield which had their moments, but crumbled in 2014 when the studio became more obsessed with setting up sequels and spin-offs than with actually delivering a fun Spider-Man story. All of this led to the landmark deal that has finally given Marvel Studios the opportunity to use their biggest A-lister. After being one of the many bright spots in Captain America: Civil War, it’s time for Tom Holland to take center stage in the iconic red and blue spandex.

Spider-Man_Homecoming_posterAfter recruiting Peter Parker (Holland) to aid in the events of Civil War, Tony ‘Iron Man’ Stark (Robert Downey Jr.) returns the super powered 15 year old back to his home in Queens, New York with his Aunt May (Marisa Tomei). Despite wanting the life of a full-fledged Avenger, Parker spends his Spider-Man nights catching bicycle thieves and helping old ladies cross the street while Stark’s assistant Happy Hogan (Jon Favreau) keeps tabs. Peter’s daytime life consists of he and his best friend, Ned (Jacob Batalon) talking about Star Wars, participating in quiz bowls, getting teased by a bully (Tony Revolori), and pining after a pretty senior (Laura Harrier). When the spurned leader of an Avengers battle clean up crew (Michael Keaton) begins selling high tech weapons to criminals in the city, Spidey sees catching him as his big chance to impress Mr. Stark and becoming a true Avenger.

We’ve seen Spider-man done justice, so we never actually needed a new solo outing. While this version is younger, there isn’t really anything new brought to the character other than a high tech suit and a ton of nice, but not necessary Avengers Easter eggs. And yet, in many ways, the story that Spider-Man: Homecoming comes up with manages to be arguably the character’s most definitive one.

Pater Parker is still smart, snarky, and brave. But by making the character younger and placing him in a world where superheroes are both abundant and older, we are allowed to truly see Spider-Man’s coming of age as a likable hero. Holland’s version, more than any other, is a kid. He is naïve and inexperienced and to become the iconic hero, he must mature. Thus, this Spider-Man film feels like a true origin story even though we’re allowed to skip out on Uncle Ben dying and the inevitable radioactive spider bite.

The sensational supporting cast helps. Robert Downey Jr. portraying Tony Stark as Parker’s mentor and father figure works incredibly well, with some of the best dialogue coming between the two. Jacob Batalon injects wholesome likability into every scene he’s in as Ned. And even though her role at times seems shoe horned in, Zendaya has some fun quips as Parker’s classmate Michele. As for Michael Keaton, who plays the villainous Vulture, he gives a performance that isn’t just one of the best in the Marvel Cinematic Universe, but rivals Alfred Molina’s iconic Doc Ock in 2004’s Spider-Man 2. By giving the titular hero a worthy adversary, we are able to truly explore his fears and vulnerabilities.

It’s not quite the best Spider-Man movie ever. There are a few pacing issues, the CGI often gets a bit too cartoony, and I’m not a fan of young, more attractive Aunt May. But this film nails the overall tone of one of the most popular characters in pop culture. Calling an MCU movie fun is like calling a Tim Burton movie ‘quirky’ so that aspect should go without saying. At this point, the producers of these movies have mastered making the audience laugh without getting too hokey. With their knack for exhilarating action sequences and exploring mature themes while still keeping things light, the MCU has proven that Spider-Man belongs in this franchise. So if they can keep things from falling apart (like the Iron Man sequels), they’ve finally got a version that audiences can stay behind.

FINAL GRADE: A