Avengers: Infinity War (Spoiler Free) Review

The word ‘Ambitious’ isn’t quite enough to describe it. Marvel Studios Producer Kevin Feige probably couldn’t have imagined that this vast cinematic universe would become as successful as it is when Iron Man first released ten years ago. Along with a host of incredible directors and acting talent, he has carved out a collection of unique films that seamlessly blend into one cohesive story. It has all led to a film that holds no punches.

Avengers_Infinity_War_posterThanos (Josh Brolin), an intimidating force who has been pulling strings behind the scenes in several films, has finally come to the forefront. Hell bent on wiping out half of the universe to create balance, he along with his minions, are out to capture the Power, Space, Reality, Soul, Time, and Mind infinity stones. Standing in their way are Iron Man (Robert Downey Jr.), Captain America (Chris Evans), Thor (Chris Hemsworth), Scarlett Witch (Elizabeth Olsen), Black Widow (Scarlett Johannson), War Machine (Don Cheadle), Dr. Strange (Benedict Cumberbatch), Vision (Paul Bettany), Spider-Man (Tom Holland), Black Panther (Chadwick Boseman), Falcon (Anthony Mackie), The Hulk (Mark Ruffalo), the Winter Soldier (Sebastian Stan) and the Guardians of the Galaxy (Chris Pratt, Zoe Saldana, Dave Bautista, Braldey Cooper, Pom Klementieff, and Vin Diesel) along with a horde of supporting characters from the MCU (Danai Gurira, Benedict Wong, Letitia Wright, Karen Gillan, Tom Hiddleston, Idris Elba).

Anyone familiar with comics knows that you have to often suspend your notions of practicality to enjoy the overarching stories and their themes. Avengers: Infinity War is no different. The movie moves at a sometimes disorienting pace that will leave those who aren’t familiar with these types of films in the dust. There are so many characters, that the movie can’t help but feel complex and at times muddled. But after eighteen films of character building, Infinity War serves as a visual narrative treat to those who have been there every step of the way.

The vast collection of cast members intermingle with characters they’ve never been on screen alongside with an almost flawless chemistry. We get Thor teaming up with Rocket Raccoon and Groot, Iron Man with Dr. Strange, The Avengers with the army of Wakanda. When fan favorites arrive on the scene there’s a nostalgic sensation that is enough to make fans absolutely giddy. So even at its rare hokey moments (one character does something atypically stupid and a new character feels completely out of place), Infinity War revitalizes the same fun, awestricken feeling audiences got with the first Avengers movie.

The humor feels organic, but make no mistake, this movie raises the MCU stakes unlike any other. Thanos, off nothing more than sheer might, determination, and intimidation, manages to cement himself as one of cinema’s most daunting villains. The heart pounding climax of the film is sure to leave audiences frozen in their seats as the credits role. For a franchise whose biggest flaws have usually revolved around lack of strong antagonists and unwillingness to sacrifice major characters, the Russo Brothers (Captain America Winter Solider and Civil War) manage to create a film that serves as a middle finger to anyone who ever criticized. The result is a sometimes uneven, but overall shocking, emotional roller coaster that feels like the Empire Strikes Back of the superhero genre.

FINAL GRADE: B

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Ranking the Marvel Cinematic Universe

Avengers: Infinty War is the remarkable culmination of ten years of superhero filmmaking. When Kevin Feige and Marvel Studios first embarked on this bold venture it seemed farfetched that it would reach its current level of success. But now, even lesser known comic characters like The Guardians of the Galaxy have become household names. All of the movies in the MCU haven’t been classic, but some are incredible. So here is my rank of all of the movies that have made up the greatest comic book franchise in film history so far. (SPOILER ALERT if you haven’t seen some of these movies)

18. THE INCREDIBLE HULK (2008)

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This film wasn’t awful. In fact, in comparison to Ang Lee’s non-MCU Hulk film, it’s fantastic. But the film isn’t remotely memorable and was the first inclination that this universe might not succeed. Other than an appearance from Thaddeus “Thunderbolt” Ross in Captain America: Civil War and a post-credit cameo by Tony Stark, it has no real connection to the rest of the franchise. Edward Norton’s stale performance doesn’t help, and it makes me wonder what this movie might’ve been if Mark Ruffalo had starred in it instead.

17. IRON MAN 3 (2013)

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The most egregious error of this film is making a mockery out of The Mandarin, Iron Man’s arch nemesis in the comics. But there are a ton of other problems with it too. Rhodey doesn’t do much of anything and too much of the film is spent with Tony Stark out of his Iron Man armor. There was also a few plot holes and the arc of Stark mentoring a young boy fell flat. The biggest saving grace is the army of Iron Man suits that shows up in the climax, but even that was spoiled by the trailers.

16. THOR: THE DARK WORLD (2013)

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Like The Incredible Hulk, this film was also unmemorable and had by far the weakest villain of all the MCU films. It also brought back the useless humans of the previous Thor movie. But there are some bright spots that keep it from being terrible. There was the great chemistry between Thor and his brother Loki, as well as a pretty awesome fight sequence that showed how much of a bad ass Thor’s mother Frigga is.

15. AVENGERS: AGE OF ULTRON (2015)

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This movie was a letdown for me. It was far too much like the first Avengers and had a lot of left field plot points. Hawkeye having a family, Thor going to a “mind bath” that foreshadowed the Infinity Stones, and the random romance between Hulk and Black Widow were just some of the things that just felt out of place. Even Ultron, though performed impeccably by James Spader, felt underutilized. So while there are some awesome moments, the muddle of characters and frenetic plot made this movie underwhelming.

14. IRON MAN 2 (2010)

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This movie is better after repeated viewings, but it still pales in comparison to the first Iron Man film. The plot goes all over the place, with Tony inventing a new element in one day and Black Widow’s debut feeling forced. The story also doesn’t do enough to develop Mickey Rourke’s villain Ivan Vanko, but it does feature Tony Stark’s impressive suit case armor and a nice climactic battle with Don Cheadle finally debuting as Iron Man’s partner War Machine.

13. GUARDIANS OF THE GALAXY VOL. 2 (2017)

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The movie was certainly entertaining. But it was hard to live up to the hype of the previous Guardians film’s breakout success. The biggest problem with this movie, other than the muddled plot, is that it tries too hard to be funny. Jokes are thrown at the audience at every turn, often undermining serious moments. Meanwhile characters like Dave Bautista’s Drax get virtually nothing to do other than be another form of comic relief. And even though the death of Yondu was a nice endearing touch, the father-son dynamic between he and Star Lord felt forced.

12. THOR: RAGNAROK (2017)

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Just like Guardians 2, this movie hurts itself by constantly trying to be funny. It’s even more unusual here, as the plot revolves around very serious stakes including the apocalypse of Thor’s homeworld, Asgard. It also doesn’t feel true to the other Thor films, as it discards important supporting characters from the previous films like they never even mattered. The movie does make up for some of its flaws thanks to some awesome action sequences and good chemistry between the cast.

11. THOR (2011)

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The parts spent on Earth aren’t very interesting at all. But this is still the most compelling Thor movie. The visuals are stunning and Tom Hiddleston’s debut as Loki is nothing short of sensational. Up until Black Panther, his performance was by far the greatest villain in the MCU and it gave this movie a Shakespearean feel when it focused on Asgard and not humans.

10. CAPTAIN AMERICA (2011)

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I thoroughly enjoy this movie more than most. Chris Evans’ performance as scrawny do gooder turned super soldier is fantastic. The World War II vibe is a unique touch and the movie paces well. The only real flaw is the unfortunately underwhelming portrayal of The Red Skull, Cap’s arch nemesis. When you cast someone like Hugo Weaving for your villain, you expect a little more nuance then your run of the mill megalomaniac.

9. ANT-MAN (2015)

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Like Guardians of the Galaxy, this movie was a pleasant surprise. Marvel was smart to make it more of a heist film than a superhero origin story, which gives it a distinctive quality among the genre. The villain isn’t memorable and there are a ton of hokey moments, but Paul Rudd manages to be a compelling lead and the visuals to this movie are absolutely incredible.

8. AVENGERS (2012)

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This was the movie that first proved that mixing a bunch of superheroes from different worlds could work. The chemistry among the cast is perfection and many of the action sequences are jaw dropping. But let’s not act like the plot to this film wasn’t weak. Loki just brings a random alien army to earth and the superheroes team up. Not exactly nuanced stuff.

7. SPIDER-MAN: HOMECOMING (2017)

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Tom Holland cemented himself as a perfect Peter Parker with this coming of age story mixed with superhero flare. The supporting cast brings great comedic timing and every piece serves a purpose. Michael Keaton brings his A-game as one of the MCU’s best villains and Robert Downey Jr. does a great job in the mentor role. If there were more action in this movie, it would be higher on the list.

6. DR. STRANGE (2016)

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Benedict Cumberbatch absolutely kills it as the arrogant and downtrodden Stephen Strange. Chiwetel Ejiofor also is great as good guy turned future villain Baron Mordo. And even though the Mads Mikkelsen’s villain isn’t wholly memorable, the plot paces well, the humor doesn’t feel forced, and the visuals are some of the most impressive in superhero cinematic history.

5. GUARDIANS OF THE GALAXY (2014)

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Easily the most surprising success in the MCU’s history. This movie is fun from start to finish and Director James Gunn does a wonderful job to pace the story and center the plot around its eclectic, yet charismatic characters. Even though the movie features another generic villain in Ronan, there are enough stakes to make the journey worthwhile. Chris Pratt is phenomenal as Peter Quill and the movie’s comedy feels organic. The film’s soundtrack is also another plus.

4. CAPTAIN AMERICA: CIVIL WAR (2016)

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While it was by no means as massive as the comic book event it is named after, Civil War ended up righting many of the wrongs from Age of Ultron. The dynamic between Tony and Cap came together well to create stakes that felt higher than in any previous MCU film. The epic airport battle and the successful introduction of Black Panther and Spider-Man into the franchise help make this into one of the best film’s of the MCU’s Phase III.

3. IRON MAN (2008)

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We wouldn’t even be here without this breakout hit. As superhero origin stories go, this film had virtually everything. A flawed, but charismatic hero in Robert Downey Jr.’s debut as Tony Stark, a strong supporting cast, and fantastic special effects. It revealed the MCU’s potential and made Iron Man a household name. If only they could’ve recaptured this magic. Neither of its sequels were able to match it’s perfect blend of tone, pacing, and action.

2. CAPTAIN AMERICA: THE WINTER SOLDIER (2014)

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The Russo Brothers, who also directed Civil War and are set to make Infinity War and Avengers 4, turned this Cap film into an exhilarating thriller that felt like more than a superhero film. Chris Evans once again turned in an earnest portrayal as Captain America and the film’s political undertones also made the movie feel as nuanced as it was action packed. Fun supporting characters, brilliant fight choreography, and an interesting plot made this my #1 MCU film up until 2018…

1. BLACK PANTHER (2018)

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No, I’m not being prisoner of the moment here. This movie isn’t just the best movie in the MCU, it’s possibly the greatest superhero film ever made. Chadwick Boseman’s performance has James Bond levels of suave. But the supporting cast is what makes this movie transcendent. The horde of strong, magnetic female characters each add something to both the story and the hero’s journey. Even characters like Winston Duke’s M’Baku manage to shine in only about twenty minutes of screen time. The villains are also sensational. Andy Serkis brings comedic charisma to the role of Ulysses Claue while Michael B. Jordan delivers an incredibly passionate and endearing performance as Erik Killmonger, an antagonist whose compelling ideology leads to enlightenment and growth for the protagonist. Oh, and if that weren’t enough, the action sequences are jaw dropping. No other MCU film is as fun and thematically profound as Ryan Coogler’s Black Panther.

There you have it. Don’t like my rankings? Feel free to comment your thoughts and share which MCU films are your favorite. As always, thanks for reading, liking, and sharing!

Black Panther Review (Spoiler Free)

When you are excited about a film and you want it to succeed, one of two things can happen. It can be a massive disappointment (Glaring at you Batman v Superman) or it can live up to the hype to become a timeless cinematic classic. From the moment the Black Panther graced the screen in 2016’s sensational Captain America: Civil War it became clear that this character, originally created by Marvel Comics’ Stan Lee and Jack Kirby in 1966, was ripe for his own memorable adventure.

Black_Panther_film_posterChadwick Boseman returns to the role of T’Challa, heir to the throne of Wakanda, a secret nation located in the heart of Africa. Using a unique and powerful element known as vibranium, Wakanda is a technological utopia, ruled by four peaceful tribes who vow to shield the nation’s resources from the chaotic outside world. As he ascends to his new role as King, T’Challa must use the mantle of the Black Panther to protect the country from those who wish to steal the throne and exploit vibranium for violent means.

As grand as the scope and visual elements are in Black Panther, it is the film’s characters, and specifically the supporting cast, that make it feel transcendent. Chadwick Boseman is once again regal and captivating as T’Challa, but it is the women around him that steal the show. Danai Gurira is wonderfully strong willed as Okoye, the Black Panther’s right hand women. Lupita Nyong’o brings alluring sophistication to the role of Wakandan spy, Nakia. Her chemistry with Boseman provides an intriguing romance that makes it feel like the characters have been on screen together many times before. And Letitia Wright is an absolute scene stealer as T’Challa’s brilliant and feisty younger sister, Shuri.

As for the villains in the film, they are the Marvel Cinematic Universe’s most compelling to date. Andy Serkis, expanding on his small role in Avengers: Age of Ultron, brings deliciously wicked humor as the terrorist Ulysses Klaue. But it is Michael B. Jordan who solidifies the film’s surprisingly emotional themes. Jordan brings undeniable swagger and intense passion to the role of Erik Killmonger, a character whose heartfelt motivations make him someone easy to route for. The best action movies are the ones that can create the perfect foil to the main protagonist and here, Director Ryan Coogler crafts a script that gives Killmonger motivations that are easy to understand and sympathize with. What it creates is something akin to Civil War and X-Men, where the villain’s ideals are admirable, but his methodology is treacherous.

There are action sequences, like an intense car chase through the streets of South Korea, that are jaw dropping. But it is the drama that takes place in between that makes Black Panther stand out as something timeless. The film deals with the notion that it is one’s duty to serve those who are less fortunate while also exploring the dangers of adhering to longstanding traditions that no longer serve the modern world. Thus, it manages to be a movie that transcends the often formulaic nature of the prototypical superhero flick.

What has continuously made the Marvel Cinematic Universe the peak of superhero filmmaking is their ability to constantly reinvent the genre. With Ryan Coogler (Fruitvale Station, Creed) at the helm, Black Panther cements itself as arguably the studio’s most unique film. From the costumes, to the inventive technology, to the captivating customs, the film creates a rich lore that feels like a sci-fi Game of Thrones with a neo-African twist. The CGI gets a bit flimsy at times, a problem becoming more and more prevalent in superhero films as they become more ambitious, and there is also a romantic relationship in the film that could’ve been better fleshed out. But neither of these miniscule flaws is enough to keep Black Panther from being a stunning creation that pays homage to a long ignored culture. With thought provoking themes, and a witty and exuberant cast each bringing their best performances to the table, Black Panther deserves to be celebrated as a pillar of what the genre can and should be.

FINAL GRADE: A

Thor: Ragnarok (Spoiler Free Review)

The Thor films have always been the weak link of the Marvel Cinematic Universe. The first movie about the God of Thunder was bogged down by hokey human characters and a setting that skimped on the action. Thor: The Dark World was a somewhat forgettable romp with one of superhero cinema’s weakest villains. But one thing the Thor films have always had, is two great lead characters with a compelling arc. Leaving Earth behind for a new adventure, Thor: Ragnarok reunites Thor and Loki and hopes to give them a story that leaves a memorable mark on the MCU.

Thor_Ragnarok_posterRagnarok finds Thor (Chris Hemsworth), the Prince of Asgard and God of Thunder, searching for his displaced father Odin (Anthony Hopkins) whose throne was stolen by Thor’s mischievous brother Loki (Tom Hiddleston). But finding their father quickly brings them into contact with Hela (Cate Blanchett), the Goddess of Death who proves to be too powerful for the two of them. Banished to a junk yard planet ruled by the Grandmaster (Jeff Goldblum), Thor’s only hope of stopping Hela is to ally with a disgraced former Asgardian warrior (Tessa Thompson) and defeat the Grandmaster’s greatest warrior… who just happens to be Thor’s old ally, The Incredible Hulk (Mark Ruffalo).

Ragnarok is certainly the most entertaining of the Thor films. It paces well and there are tons of CGI filled action sequences that make for good ‘turn your brain off and watch’ fun. New director, Taika Waititi, also infuses this latest entry with loads of colorful imagery and brilliant costumes and set pieces to create a world that make the previous films in the trilogy feel a bit bland by comparison.

But the story itself is no more intelligent or enlightening than any other Thor movie. The plot, which has elements of an epic and dark apocalyptic core, falters thanks to the hordes of new characters who take turns being utter buffoons. The cartoonish tone does deliver some laugh out loud moments, but seemingly spends every available minute trying to make the audience laugh which gets irritating once you take the overarching plot into consideration.

Even characters that should be grittier, severely emotionally grounded, and enticing throughout are weighed down by disjointed wacky moments. Tessa Thompson’s drunken Valkyrie is introduced in a way that makes it hard to take her seriously until the film’s latter half while Blanchett’s delightfully sinister Hela is brushed aside in favor of Goldblum’s clownish Grandmaster. So even though characters like the Grandmaster are occasionally funny, their antics make light of serious stakes.

Ragnarok is certainly ‘fun’, but a movie about the Asgardian apocalypse that features the deaths of several characters in the Thor mythos, probably deserves to be taken more seriously. No one wants another dreary Batman v Superman, but there’s a such thing as a happy medium. Someone needs to tell Marvel that it’s okay to have characters who don’t make the audience chuckle.  When everyone is a comedian, the stakes don’t seem so threatening and when the jokes don’t land, the whole exercise feels corny. Things are smoothed over by nice psychedelic visuals, fine chemistry between the cast, and a few endearing moments between Hiddleston and Hemsworth whose brotherly dynamic has become the only reason to pay attention to Thor. But it’s still irksome that to make Thor appeasing to the masses, they had to turn it into Guardians of the Galaxy 3.

FINAL GRADE: C

A = Must See/Top 10 Nominee

B = Good film. Flawed, but still very entertaining

C = Not Bad, but highly flawed/Probably better off waiting for Redbox

D = Terrible Movie with a few redeeming qualities

F = I wanted to walk out/Don’t waste time or money

Spider-Man: Homecoming (Full Review)

If at first you don’t succeed, try try again. The Tobey Maguire Spider-Man franchise started off just fine, until Spider-Man 3 made it come to a dark, disco dancing halt. Sony Pictures then rushed a pair of needless reboots into production starring Andrew Garfield which had their moments, but crumbled in 2014 when the studio became more obsessed with setting up sequels and spin-offs than with actually delivering a fun Spider-Man story. All of this led to the landmark deal that has finally given Marvel Studios the opportunity to use their biggest A-lister. After being one of the many bright spots in Captain America: Civil War, it’s time for Tom Holland to take center stage in the iconic red and blue spandex.

Spider-Man_Homecoming_posterAfter recruiting Peter Parker (Holland) to aid in the events of Civil War, Tony ‘Iron Man’ Stark (Robert Downey Jr.) returns the super powered 15 year old back to his home in Queens, New York with his Aunt May (Marisa Tomei). Despite wanting the life of a full-fledged Avenger, Parker spends his Spider-Man nights catching bicycle thieves and helping old ladies cross the street while Stark’s assistant Happy Hogan (Jon Favreau) keeps tabs. Peter’s daytime life consists of he and his best friend, Ned (Jacob Batalon) talking about Star Wars, participating in quiz bowls, getting teased by a bully (Tony Revolori), and pining after a pretty senior (Laura Harrier). When the spurned leader of an Avengers battle clean up crew (Michael Keaton) begins selling high tech weapons to criminals in the city, Spidey sees catching him as his big chance to impress Mr. Stark and becoming a true Avenger.

We’ve seen Spider-man done justice, so we never actually needed a new solo outing. While this version is younger, there isn’t really anything new brought to the character other than a high tech suit and a ton of nice, but not necessary Avengers Easter eggs. And yet, in many ways, the story that Spider-Man: Homecoming comes up with manages to be arguably the character’s most definitive one.

Pater Parker is still smart, snarky, and brave. But by making the character younger and placing him in a world where superheroes are both abundant and older, we are allowed to truly see Spider-Man’s coming of age as a likable hero. Holland’s version, more than any other, is a kid. He is naïve and inexperienced and to become the iconic hero, he must mature. Thus, this Spider-Man film feels like a true origin story even though we’re allowed to skip out on Uncle Ben dying and the inevitable radioactive spider bite.

The sensational supporting cast helps. Robert Downey Jr. portraying Tony Stark as Parker’s mentor and father figure works incredibly well, with some of the best dialogue coming between the two. Jacob Batalon injects wholesome likability into every scene he’s in as Ned. And even though her role at times seems shoe horned in, Zendaya has some fun quips as Parker’s classmate Michele. As for Michael Keaton, who plays the villainous Vulture, he gives a performance that isn’t just one of the best in the Marvel Cinematic Universe, but rivals Alfred Molina’s iconic Doc Ock in 2004’s Spider-Man 2. By giving the titular hero a worthy adversary, we are able to truly explore his fears and vulnerabilities.

It’s not quite the best Spider-Man movie ever. There are a few pacing issues, the CGI often gets a bit too cartoony, and I’m not a fan of young, more attractive Aunt May. But this film nails the overall tone of one of the most popular characters in pop culture. Calling an MCU movie fun is like calling a Tim Burton movie ‘quirky’ so that aspect should go without saying. At this point, the producers of these movies have mastered making the audience laugh without getting too hokey. With their knack for exhilarating action sequences and exploring mature themes while still keeping things light, the MCU has proven that Spider-Man belongs in this franchise. So if they can keep things from falling apart (like the Iron Man sequels), they’ve finally got a version that audiences can stay behind.

FINAL GRADE: A

 

 

 

 

Guardians of the Galaxy Vol. 2 (Full Review)

No film in Disney/Marvel’s massive gallery was as much of a surprise success as 2014’s Guardians of the Galaxy. The film about a ragtag group of space anti-heroes transcended its lesser known source material to become a fun summer blockbuster full of exhilarating action and humor. But it’s hard to follow up a breakout hit with something better or even just as good. Iron Man 2 and Avengers: Age of Ultron showed us, that while the Marvel Cinematic Universe always keeps things entertaining, sometimes their sequels can’t quite live up to the hype.

GotG_Vol2_posterGuardians of the Galaxy Vol. 2 continues the adventures of a group of intergalactic heroes for hire. Returning are Drax (Dave Bautista), a slow witted mustle man who lacks subtlety; Rocket (voiced by Bradley Cooper), a rude and violent talking raccoon; Groot (voiced by Vin Diesel), a naive tree monster reduced to baby form following the first film’s climax; Gamora (Zoe Saldana) skiled assassin and daughter to a space tyrant, and Peter “Star Lord” Quill, (Chris Pratt), an Earthling with a human mother and an alien father he’s never met. After the crew makes enemies out of a society of genetic purists (led by Elizabeth Debicki), the Guardians encounter Ego (Kurt Russell), an antient, powerful being claiming to be Quill’s father, and his socially awkward aprentice, named Mantis (Pom Klementieff). Michael Rooker also returns as Quill’s former mentor Yondu, and Karen Gillan reprises her role as Gamora’s sister/hated rival, Nebula.

As it turns out, Guardians Vol. 2 has many of the same problems as Iron Man 2 and Age of Ultron in that it seems more concerned with making the audience laugh and giving them shiny new CGI to gawk at than with forming a coherent narrative. As such, the plot to this film is all over the place for the majority of its seemingly lengthy runtime. There are far too many threads that are overly emphasized such as a subplot about Yondu’s connection to a former mentor (played by Sylvester Stallone) and his dismissal from the bounty hunting Ravagers. It isn’t until the admittedly exciting climax that things seem to actually come together, but the means hardly justifies the ends.

There’s still a great bit of humor throughout. Dave Bautista (who has greatly improved since his acting debut) is hilarious in every scene and most of the banter between the team is fun. But even here, things don’t feel as consistently organic as they did the first go round. Too much of the jokes are awkwardly raunchy (get ready for penis jokes… yes, penis jokes), and the cartoony slapstick is so abundant that it often undermines scenes that should probably be taken more seriously.

The film manages to add some weighty emotional moments to make the story feel grounded and a bit more necessary. A few scenes between Saldana’s Gamora and Gillan’s Nebula do a fantastic job of adding depth to both characters. In fact, most of the cast deserves credit for injecting likability into each of their characters. But with the story, much of the humor, and even the soundtrack all feeling like a step down, its hard to make a case that Guardians of the Galaxy Vol. 2 is memorable. Not every follow up is going to be The Empire Strikes Back or The Dark Knight, but I can’t help but feel like characters this fun deserve an adventure that isn’t predominantly a throw away.

FINAL GRADE: C

A = Must See/Top 10 Nominee

B = Good film. Flawed, but still very entertaining

C = Not Bad, but highly flawed/Probably better off waiting for Redbox

D = Terrible Movie with a few redeeming qualities

F = I wanted to walk out/Don’t waste time or money

Logan (Full Review)

I remember watching the very first X-Men film on opening day back in July of 2000. Even though several changes had been made to the source material, I came out of the theater thoroughly pleased. One of the biggest reasons for the success of that film, and why the franchise is still chugging along 17 years later, is because of Hugh Jackman. Sure, he isn’t 5’3″ like his comic book counterpart, but Jackman has embodied the scraggly persona of The Wolverine so much so that it’s hard to imagine anyone else ever playing the role. But all good things must come to an end, and after 9 films, it’s time for Jackman to wear the claws and muttonchops for the last time.

cuaiczwueaaid_w-jpg-largeLogan takes place in 2029. Most mutants have died off and the hero once known as the Wolverine is now a sickly old man who has been reduced to being a limo driver. Along with an albino mutant named Caliban (Stephen Merchant), Logan spends his days tending to former X-Men leader, Charles Xavier (Patrick Stewart) who is now a senile 90-year old man prone to dangerous seizures. Logan’s depressing life is thrown back into chaos when he becomes caught in the crossfire of a bounty hunting cyborg (Boyd Holbrook) searching for a young mutant girl (Dafne Keen) with similar powers to Logan’s.

For starters, this is NOT your children’s X-Men movie. Hell, this isn’t even your teenager’s X-Men movie. Filled with extreme violence, profanity in every other sentence, and even one scene of brief nudity, Logan has more in common with Deadpool than it does with any of Jackman and Stewart’s past films in the franchise. But that should only matter to anyone bold enough to ignore the ‘R’ rating. Like Deadpool, this film isn’t made for wholesome family fun. If the other X-Men films are comic books, this is a full on gritty, western graphic novel.

Logan feels like a story that has matured with audiences who grew up with the franchise and the Wolverine character. We’ve seen Wolverine deal with searching for his past and learning to be part of a team. But we’ve never seen the character experience having to outlive all of his closest friends. In that sense, Logan provides a story that makes the character feel more tangible than ever before and raises the question of what becomes of heroes when they’re down to their last leg?

The action sequences are gory, intense entertainment. But the family dynamic is undoubtedly the best part of Logan. Seeing the character being forced into a parental role brings a wonderful sense of heart to the film and the chemistry between Jackman and Dafne Keen is absolutely beautiful from start to finish. An even better dynamic perhaps, is the one shared between Jackman and Stewart’s Charles Xavier.

Professor X and Wolverine are the two most iconic characters in the franchise, so it’s fitting that they should share this last ride. This older, broken Charles Xavier is something we’ve never seen before. He has a potty mouth and has little to no control over his powers, and yet it never feels like he isn’t the same man that started the X-Men. The constant desire to nurture and teach is still there and more importantly to this film, the need to love, cherish and want the best for a friend, and pupil is what makes the dynamic between Charles and Logan incredibly emotional this time around.

Though darker and a bit more emotional than past X-Men films, there is still a healthy dose of effective humor throughout. Most of it comes from the sheer organic chemistry between the cast.  Even Boyd Holbrook’s antagonist, who is more bark than bite, manages to bring enough slick, Texas southern charm to make him an enjoyable character (He could’ve been great in the role of a certain Cajun mutant… but I digress).

Things do start to drag in the last act so the film could’ve probably shaved off about 15 minutes here and there. And try not to give yourself a headache by thinking about where this film fits in with the timeline of the others. Personally, I’ll take compelling stories and characters over continuity any day so consider these to be minor flaws. In the end, this isn’t just one of the best X-Men films. What Director James Mangold and Hugh Jackman have created is a bold, deeply earnest sendoff to an iconic character that is nothing short of a masterpiece.

FINAL GRADE: A

Doctor Strange (Full Review)

“Forget everything you think you know”. That’s what seasoned sorcerer Mordo (Chiwtel Ejiofor) tells Doctor Strange (Benedict Cumberbatch) when he first encounters him. It’s a perfect mantra for Marvel’s latest addition to their vast, successful universe. A superhero film with a dash of Harry Potter and a sprinkle of Inception makes Doctor Strange unlike anything you’ve ever seen before.

doctor_strange_posterThe film stars Cumberbatch as Stephen Strange, the world’s best neurosurgeon whose ego makes Tony Stark seem humble. After a car accident leaves his hands damaged beyond medical repair, Strange pushes away his only friend (Rachel McAdams) and ventures out to Nepal in a last ditch effort to heal himself. There he encounters the Ancient One (Tilda Swinton), an ageless guru who trains Mordo, snarky librarian Wong (Benedict Wong), and many others to conjure up magic and defend the world from a former pupil (Mads Mikkelsen) keen on releasing an ancient evil. Strange must put aside his ego to not only heal himself, but also summon the hero within.

One thing that makes Marvel movies so inherently watchable is their ability to add humor and charisma to everything they make. Doctor Strange is no different. Fused with a phenomenal cast and snappy dialogue, there isn’t an ounce of stiffness to speak of, giving the film loads of personality that helps usher the audience into this trippy new universe.

But it’s that trippy universe that truly makes Doctor Strange a unique film. Remember that amazing hallway fight sequence in Inception. This film has that x 10. Stunning visuals made for 3D create sequences that are jaw dropping. From intricate CGI runes and shifting camera angles to scenery that literally twists and turns like a kaleidoscope, almost every action scene is compellingly unusual but never nauseating.

Being so different from anything else in the comic book genre, Doctor Strange manages to pace things well, explaining key information when needed but never overindulging with exposition. With Cumberbatch at the helm, there is a sense of tangibility that makes it all feel possible. Even the villain (usually Marvel’s biggest weak spot) has a slight wit and intelligence to him that makes his plot seem like an interesting perspective even if it’s the same as any stock megalomaniac.

Without the subtle references to other films in the MCU and the obvious post credit connections, Doctor Strange would manage to feel like its own entity. One that is rich in lure and fascinating characters. It almost makes you wish that it was its own franchise instead of just another precursor to an Avengers movie. But even if we never get a dose of Strange as good as this film, the mark has undoubtedly been set as an entertaining and memorable one.

FINAL GRADE: A

X-Men: Apocalypse (Full Review)

The X-Men franchise has seen some lows (X-Men: The Last Stand, X-Men Origins: Wolverine), but for the most part, some of the best films in the superhero genre have come from this 16 year film series about mutants with superpowers attempting to coexist with the humans who fear them. No director knows the heights of X-Men film success like Bryan Singer, Director of the first and second X-Men movies as well as 2014’s hit X-Men: Days of Future Past. Singer returns to direct the latest installment in the franchise, and has the unfortunate task of following Captain America: Civil War as well as trying to raise his own ridiculously high bar.

X-Men_-_ApocalypseX-Men: Apocalypse follows the trend of the recent X-Men films in picking up the story in a new decade. This time, the setting is the 1980’s where CIA agent Moira McTaggert (Rose Byrne) has stumbled upon a cult that awakens the world’s first recorded mutant, En Sabah Nur (Oscar Isaac) aka Apocalypse, who was betrayed by his followers in ancient Egypt. Apocalypse has survived for centuries by transferring his consciousness into new mutant bodies, collecting new mutant powers along the way and upon his awakening he sets out recruiting strong mutants to be his Four Horseman followers. Joining him is weather manipulating Storm (Alexandra Shipp), psychic knife wielding Psylocke (Olivia Munn), winged Angel (Ben Hardy), and former X-Men adversary, Magneto (Michael Fassbender).

The only thing standing between Apocalypse and his mission to cleanse the world of non-mutants is peace loving telepath Professor, Charles Xavier (James McAvoy) and his young X-Men: psychic Jean Gray (Sophie Turner), optic blasting Cyclops (Tye Sheridan), and teleporting Nightcrawler (Kodi Smit-McPhee). Helping lead the team is Xavier’s furry, right hand man, Beast (Nicholas Hoult), shape-shifting anti-hero Mystique (Jennifer Lawrence), and comedic speedster, Quicksilver (Evan Peters).

There are a ton of characters in this movie and it’s easy to get lost among them. The film admittedly doesn’t do as well as most in the franchise have done with juggling all of the different mutants. The Four Horseman, for example, are virtually flat, underdeveloped characters with the exception of Magneto. The film also has a few pacing issues. One scene in particular, involving returning villain William Striker (Josh Helman), seems shoe horned in only for fan service and to set up sequels (A problem no superhero film seems able to avoid these days).

But none of these problems take away from the overall splendor of X-Men: Apocalypse. The action sequences and set pieces are once again top notch. From the climactic battle to one scene involving Evan Peter’s Quicksilver that manages to one up his sequence from Days of Future Past, there is plenty to gawk at. Even the aforementioned unnecessary scene is still wildly entertaining. And as with any X-Men film, there are plenty of metaphors for real human issues to give the story purpose and context.

The titular villain is also a big plus. Despite being a generic God-like figure bent on world domination, Apocalypse is portrayed by Oscar Isaac with a charismatic wit and deeply imposing astuteness that makes him far more captivating than anything the Marvel Cinematic Universe has tried to pass off as an antagonist not named Loki. And he isn’t alone in his standout performance. All of the young mutants are solid and Michael Fassbender once again manages to conjure all of the deepest emotions with a few notable scenes. If there’s a performance that lacks, it’s actually Jennifer Lawrence, who seems as if she is being thrown into the forefront of these movies more and more, simply because she’s Jennifer Lawrence and not because the story or the character has a need for it.

Bryan Singer’s latest X-Men film is certainly not as grand as his last, or my all time favorite X2: X-Men United (2003). But X-Men Apocalypse is filled with a fine dose of eye popping action, charismatic humor, and a threatening villain that moves the story and makes the stakes worthy of a 144 minute film. Masterpieces are hard to come by in this era of constant superhero flicks (just ask DC Comics), but X-Men Apocalypse is at the very least an exciting entry that shouldn’t be a letdown to casual fans or diehards.

FINAL GRADE: B+

Captain America: Civil War (Full Review)

Just over a month ago, DC/Warner Bros. released a movie about superheroes fighting superheroes… sort of. Now, along comes the superhero film Goliath that is Marvel to one up them. Captain America: Civil War is an adaptation of one of the most popular comic storylines ever, pitting two of their most iconic heroes against each other. Loosely based on the source material, this cinematic version serves as a sequel to 2014’s phenomenal Captain America: The Winter Soldier as well as being a quasi Avengers 2.5.

Captain_America_Civil_War_posterIt’s been a year since the Avengers stopped Ultron from destroying the earth and now Captain America (Chris Evans) leads a new team featuring assassin turned heroine, Natasha “Black Widow” Romanov (Scarlett Johansson), intelligent android, Vision (Paul Bettany), sorceress, Wanda Maximoff (Elizabeth Olsen), winged soldier, Sam “Falcon” Wilson (Anthony Mackie), and Iron Man bestie, James “War Machine” Rhodes (Don Cheadle). After a mission to stop a vengeful terrorist (Frank Grillo) goes horribly wrong, former Hulk adversary and current U.S. Secretary of State, Thaddeus Ross (William Hurt), brings down the Sokovia Accords: a doctrine forcing all heroes to adhere to the United Nations rather than act as an independent force. While guilt causes Tony Stark/Iron Man (Robert Downey Jr.) to support the new law, the ever weary Captain America refuses to serve a government agenda, causing things to get dicey when Cap’s former best friend turned brainwashed assassin resurfaces (Sebastian Stan). The conflict splits the Avengers in two, with half siding with Iron Man and the others with Captain America.

All of the Marvel Cinematic Universe films aren’t great, as some might have you believe. Some are mediocre (Thor: The Dark World, Avengers: Age of Ultron) and others I just flat out don’t like (Any Iron Man movie after the first one). But the Captain America films have always stood out to me over the rest. This is due in large part to deeper subject matters and more intricate storytelling. Civil War is no different, in fact, it may be the MCU’s most earnest film yet.

Let’s start with the conflict, unlike with March’s Batman v Superman, this film’s budding rivalry has had several years to brew. So when things go downhill, it feels genuinely heartbreaking to see the two comrades and former friends warring against each other. An exceptional script that does a solid job sharing the two perspectives without condemning either one, makes this film feel more realistic than any Marvel movie to date. Both sides are right just as much as they are wrong, and this aspect drives the entire film and gives it more emotional weight than anything else in the MCU.

A stellar cast helps. Casting is perhaps the greatest strength of the MCU, and here everyone shines, even characters like Hawk Eye (Jermey Renner) and Ant-Man (Paul Rudd) who are only on screen for a few scenes. As for the newcomers, they make their mark and prove that they are worthy additions to an already impressive roster. Chadwick Boseman portrays vengeful Black Panther with a regal fervor while Tom Holland is perfectly witty and exuberant as the new Spider-Man. Both make you excited to see them in future films. And while the MCU hasn’t always given us the best villains, Daniel Bruhl is stellar as the film’s sneaky antagonist.

The film drags a bit in its final act, but directors Anthony and Joe Russo deserve a ton of credit simply for managing to effectively juggle the massive horde of characters involved. It never feels like too much or too little, and when the titular battle goes down, it feels like something out of nerd heaven for fans of the genre even in spite of a few noticeable patches of spotty CGI. But visuals are only one part of making a memorable film. Captain America: Civil War isn’t great simply because of its action. Its captivating subject matter and emotional core are what make it one of the best superhero film’s ever crafted. So regardless of whether you’re Team Cap or Team Iron Man, you’ll come out of Marvel’s latest film feeling like a winner.

FINAL GRADE: A