Doctor Strange (Full Review)

“Forget everything you think you know”. That’s what seasoned sorcerer Mordo (Chiwtel Ejiofor) tells Doctor Strange (Benedict Cumberbatch) when he first encounters him. It’s a perfect mantra for Marvel’s latest addition to their vast, successful universe. A superhero film with a dash of Harry Potter and a sprinkle of Inception makes Doctor Strange unlike anything you’ve ever seen before.

doctor_strange_posterThe film stars Cumberbatch as Stephen Strange, the world’s best neurosurgeon whose ego makes Tony Stark seem humble. After a car accident leaves his hands damaged beyond medical repair, Strange pushes away his only friend (Rachel McAdams) and ventures out to Nepal in a last ditch effort to heal himself. There he encounters the Ancient One (Tilda Swinton), an ageless guru who trains Mordo, snarky librarian Wong (Benedict Wong), and many others to conjure up magic and defend the world from a former pupil (Mads Mikkelsen) keen on releasing an ancient evil. Strange must put aside his ego to not only heal himself, but also summon the hero within.

One thing that makes Marvel movies so inherently watchable is their ability to add humor and charisma to everything they make. Doctor Strange is no different. Fused with a phenomenal cast and snappy dialogue, there isn’t an ounce of stiffness to speak of, giving the film loads of personality that helps usher the audience into this trippy new universe.

But it’s that trippy universe that truly makes Doctor Strange a unique film. Remember that amazing hallway fight sequence in Inception. This film has that x 10. Stunning visuals made for 3D create sequences that are jaw dropping. From intricate CGI runes and shifting camera angles to scenery that literally twists and turns like a kaleidoscope, almost every action scene is compellingly unusual but never nauseating.

Being so different from anything else in the comic book genre, Doctor Strange manages to pace things well, explaining key information when needed but never overindulging with exposition. With Cumberbatch at the helm, there is a sense of tangibility that makes it all feel possible. Even the villain (usually Marvel’s biggest weak spot) has a slight wit and intelligence to him that makes his plot seem like an interesting perspective even if it’s the same as any stock megalomaniac.

Without the subtle references to other films in the MCU and the obvious post credit connections, Doctor Strange would manage to feel like its own entity. One that is rich in lure and fascinating characters. It almost makes you wish that it was its own franchise instead of just another precursor to an Avengers movie. But even if we never get a dose of Strange as good as this film, the mark has undoubtedly been set as an entertaining and memorable one.

FINAL GRADE: A

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May 2015 Quick Reviews

Summer movie season is in full swing. Here are some quick thoughts on some of the films that capped the month of May…

San_Andreas_posterSAN ANDREAS Dwayne “The Rock” Johnson stars as rescue pilot Chief Ray Gaines in this earth quake disaster film about the San Andreas fault (mainly encompassing California) ripping apart. The film is pretty much everything you’d expect a disaster movie with The Rock to be. But that isn’t necessarily a bad thing.

San Andreas is stuffed full of nearly every disaster movie cliché imaginable: A scientist that no one listens to until it’s too late (Paul Giamatti), a significant other that the main character must reconcile with (Carla Gugino), an offspring that needs saving (Alexandra Daddario), and a character who turns full a-hole when everything starts to go south (Ioan Gruffudd). But it’s still fairly entertaining. The action sequences are no less (or more) interesting than the events in films like 2012 or The Day After Tomorrow, but the 3D is a nice added touch. And as far as leads go, Dwayne Johnson is right in his element here, when he isn’t trying to show too much emotional depth. All in all, the film is decent time spent, but don’t expect anything earth shatteringly original. Pun intended. FINAL GRADE: C+

Tomorrowland_posterTOMORROWLAND In this day and age when spoilers are released via on-set cell phone footage and each movie gets four trailers to show you all of the interesting parts, Tomorrowland is an absolute breath of fresh air. Kept relatively under wraps, the story revolves around an intelligent, young girl (Britt Robertson) who is recruited to save a futuristic world kept secret by history’s best and brightest. George Clooney co-stars as the former child genius turned cynical recluse who reluctantly aids her on her journey.

The cast, especially Clooney, deserves credit for strong, emotionally grounded performances. The only problem is that this adventurous build-up comes to a highly underwhelming climax that manages to weigh down the entire film. And, although highly relevant, the movie beats you over the head with its overarching message. Still, kudos to Disney and director Brad Bird for withholding all of their secrets to make this film feel wildly original. FINAL GRADE: B-

Aloha_posterALOHA Where do I start with this one? I guess I’ll begin with the overly convoluted plot. Yes, a romantic comedy has a complicated story. Anywho, Bradley Cooper stars as a contractor for the military who returns to his hometown in Hawaii to help a billionaire (Bill Murray) with a satellite launch. Yes, that’s actually the plot. Emma Stone co-stars as his Air Force watchdog who falls in love with him and Rachel McAdams as his now married ex-girlfriend.

If the military and NASA dribble involving secret missiles and land negotiations with Hawaiian natives doesn’t make this film feel droll enough, the lack of chemistry between the characters will. The film is filled with awkward moments, and not the entertaining kind of awkward that makes you laugh, but rather those moments where you just want the scene to end. The most enjoyable moments in the movie come from Rachel McAdams’ husband, played by John Krasinksi who communicates non-verbally for nearly the entire movie. He provides some snickers in spurts, but other than that, this film is neither endearing or humorous. FINAL GRADE: D+